Lesson Bookmarks

Charlie Parker – Use of Bebop Ornamentation

Charlie Parker – Use of Bebop Ornamentation

Charlie Parker - Use of Bebop OrnamentationFeatured in module 38Related LessonsMy BookmarksFeatured in module 38My BookmarksRelated LessonsELEMENTS OF STYLE Charlie Parker - Use of Bebop Ornamentation In this video lesson, I analyze...

Rollins & Coltrane Ornaments

Rollins & Coltrane Ornaments

Rollins & Coltrane OrnamentsFeatured in module 37Related LessonsMy BookmarksFeatured in module 37My BookmarksRelated LessonsELEMENTS OF STYLE Rollins & Coltrane Ornaments In this video lesson, I demonstrate two of my favorite...

Enclosures

Enclosures

EnclosuresFeatured in module 03Related LessonsMy BookmarksFeatured in module 03My BookmarksRelated LessonsELEMENTS OF STYLE Enclosures In this video, I demonstrate the enclosure, one of the most common elements of the bebop language....

Chromatic Bebop Scales with alternating starting points

Chromatic Bebop Scales with alternating starting points

Chromatic Bebop Scales with alternating starting pointsFeatured in module 08Related LessonsMy BookmarksFeatured in module 08My BookmarksRelated LessonsSCALES Chromatic Bebop Scales with alternating starting points In this video...

Cry Me A River Lick (Rosetta Stone of Licks) Sax Version

Cry Me A River Lick (Rosetta Stone of Licks) Sax Version

Cry Me A River Lick (Rosetta Stone of Licks) Sax VersionFeatured in module 09Related LessonsMy BookmarksFeatured in module 09My BookmarksRelated LessonsVOCABULARY Cry Me A River Lick (Rosetta Stone of Licks) Sax Version In this video...

Exploring Hip Lick #1

Exploring Hip Lick #1

Exploring Hip Lick #1 Featured in module 10Related LessonsMy BookmarksFeatured in module 10My BookmarksRelated LessonsVOCABULARY Lesson 01 Hip Lick #1 Video Lesson In this video, we’ll explore a simple technique for creating...

Exploring Hip Lick #2

Exploring Hip Lick #2

Exploring Hip Lick #2Featured in module 23Related LessonsMy BookmarksFeatured in module 23My BookmarksRelated LessonsVOCABULARY Lesson 01 Hip Lick #2 - Video Lesson This video lesson starts with a demonstration of the lick played in...

Exploring Hip Lick #4

Exploring Hip Lick #4

Exploring Hip Lick #4Featured in module 05Related LessonsMy BookmarksFeatured in module 05My BookmarksRelated LessonsVOCABULARY Hip Lick #4 (aka The Honeysuckle Rose Lick) Hip Lick #4 (from Hip Licks for Saxophone Volume 1) is...

Exploring Hip Lick #5

Exploring Hip Lick #5

Exploring Hip Lick #5Featured in module 21Related LessonsMy BookmarksFeatured in module 21My BookmarksRelated LessonsVOCABULARY Hip Lick #5 Video Lesson In this video lesson, I’ll show you how to work with Hip Lick #5 from my book,...

My Bookmarks 

No bookmarks yet

Jazz educational publications by Greg Fishman

Charlie Parker – Use of Bebop Ornamentation

Charlie Parker – Use of Bebop Ornamentation

Charlie Parker - Use of Bebop OrnamentationFeatured in module 38Related LessonsMy BookmarksFeatured in module 38My BookmarksRelated LessonsELEMENTS OF STYLE Charlie Parker - Use of Bebop Ornamentation In this video lesson, I analyze...

Rollins & Coltrane Ornaments

Rollins & Coltrane Ornaments

Rollins & Coltrane OrnamentsFeatured in module 37Related LessonsMy BookmarksFeatured in module 37My BookmarksRelated LessonsELEMENTS OF STYLE Rollins & Coltrane Ornaments In this video lesson, I demonstrate two of my favorite...

Enclosures

Enclosures

EnclosuresFeatured in module 03Related LessonsMy BookmarksFeatured in module 03My BookmarksRelated LessonsELEMENTS OF STYLE Enclosures In this video, I demonstrate the enclosure, one of the most common elements of the bebop language....

Chromatic Bebop Scales with alternating starting points

Chromatic Bebop Scales with alternating starting points

Chromatic Bebop Scales with alternating starting pointsFeatured in module 08Related LessonsMy BookmarksFeatured in module 08My BookmarksRelated LessonsSCALES Chromatic Bebop Scales with alternating starting points In this video...

Cry Me A River Lick (Rosetta Stone of Licks) Sax Version

Cry Me A River Lick (Rosetta Stone of Licks) Sax Version

Cry Me A River Lick (Rosetta Stone of Licks) Sax VersionFeatured in module 09Related LessonsMy BookmarksFeatured in module 09My BookmarksRelated LessonsVOCABULARY Cry Me A River Lick (Rosetta Stone of Licks) Sax Version In this video...

Exploring Hip Lick #1

Exploring Hip Lick #1

Exploring Hip Lick #1 Featured in module 10Related LessonsMy BookmarksFeatured in module 10My BookmarksRelated LessonsVOCABULARY Lesson 01 Hip Lick #1 Video Lesson In this video, we’ll explore a simple technique for creating...

Exploring Hip Lick #2

Exploring Hip Lick #2

Exploring Hip Lick #2Featured in module 23Related LessonsMy BookmarksFeatured in module 23My BookmarksRelated LessonsVOCABULARY Lesson 01 Hip Lick #2 - Video Lesson This video lesson starts with a demonstration of the lick played in...

Exploring Hip Lick #4

Exploring Hip Lick #4

Exploring Hip Lick #4Featured in module 05Related LessonsMy BookmarksFeatured in module 05My BookmarksRelated LessonsVOCABULARY Hip Lick #4 (aka The Honeysuckle Rose Lick) Hip Lick #4 (from Hip Licks for Saxophone Volume 1) is...

Exploring Hip Lick #5

Exploring Hip Lick #5

Exploring Hip Lick #5Featured in module 21Related LessonsMy BookmarksFeatured in module 21My BookmarksRelated LessonsVOCABULARY Hip Lick #5 Video Lesson In this video lesson, I’ll show you how to work with Hip Lick #5 from my book,...

Module 38


LESSON 1: Scale Junction Navigation

In this video lesson, I share my method for connecting various types of scales through a ii V I progression. This is a critical skill for all improvisers, as it gives you the flexibility to switch smoothly from the scale of the current chord to the scale for a new chord Many players are limited in their approach with scales because they think that they need to start each new scale from the root.

This is how scales are often taught in academic settings, but my system shows you how to easily connect the scales through voice-leading, from any note, highlighting the strongest notes in every chord. INTERMEDIATE & ADVANCED LEVEL. Includes detailed PDF practice notes for Bb, Eb and C instruments.
.


LESSON 2: Charlie Parker - Use of Bebop Ornamentation

In this video lesson, I analyze Parker’s use and application of bebop ornamentation. Bebop is an ornate style of jazz, sharing some similarities to baroque classical music in its use of ornamentation. Ornamental notes are what I describe as “sudden sixteenths” which are placed within an eighth-note line to add extra detail and sophistication to the line. In this lesson, I take a Parker phrase and break it down, removing all of the ornaments and then showing you how to use these concepts in your own lines, demonstrating with a line that I composed and then enhanced with the application of bebop ornaments in the Parker style.

INTERMEDIATE & ADVANCED LEVEL. Includes detailed PDF practice notes for Bb, Eb, and C instruments.


LESSON 3: Locating the 13th of a Chord

The thirteenth is one of the most colorful notes in a chord, and yet, many aspiring players have a difficult time locating and hearing the note. In this video lesson, I show you my system for easily hearing and locating the thirteenth of any chord.

This lesson includes hearing thirteenths over: Maj7, dom7, mi7, mi7b5 and dim7 chords. Intermediate level. Includes detailed PDF practice notes for Bb, Eb and C instruments.


LESSON 4: Listening Recommendation: Mel Torme Swings Shubert Alley

One of my favorite albums! Mel Torme at the height of his powers with beautiful pitch, tone, phrasing, taste, and humor. Marty Paich, one of my favorite arrangers, has created an amazing collection of arrangements of popular standards.

I love his instrumentation and the inclusion of the tuba in this ensemble. The engineering is also incredible on this album. It’s like you’re right there in the studio with the guys. Paich is also quite humorous, having the band slyly quoting “Who’s Sorry Now” and “Easy Living” while Mel is singing the tune “Just in Time.”

The band is an all-star cast of top West Coast players at the time — Jack Sheldon on Trumpet, Frank Rosolino on trombone, Art Pepper on alto, Mel Lewis on drums…A must-have for any collection.


approx 38 min

Module 37


LESSON 1: Rollins & Coltrane Ornaments

In this video lesson, I demonstrate two of my favorite approaches to bebop ornamentation, based on my observations of Rollins and Coltrane and the way that they dress up their lines with ornaments. Intermediate & Advanced level. Includes detailed PDF practice notes for Bb, Eb and C instruments.


LESSON 2: The Jackpot 7-7-7 - Hearing a major scale over a II V I

In this video lesson, I show my technique for harmonically aligning a major scale over a ii V I. This strategic approach provides great clarity and voice leading, giving you all 3’s, 5’s, 7’s or 9’s over a ii V I while simply playing a diatonic scale.

A key factor is setting up your ear to hear the roots of the chords in relation to the starting note of the line. I demonstrate the process throughout the video lesson. Intermediate & Advanced level. Includes detailed PDF practice notes for Bb, Eb, and C instruments.


LESSON 3: Speed Bag - Cool Minor Lick

In this video lesson, I share one of my favorite minor patterns that I used for working up my technique.

This is a short but very effective lick for improving your precision on the keys, as well as improving alignment between your articulation and fingers. ALL LEVELS. Includes detailed PDF practice notes for Bb, Eb and C instruments.


LESSON 4: Greg's Philosophy of Music: Playing by Theory vs Playing by Ear

In this video lesson, I discuss the difference between playing by theory and playing by ear. I share many examples from my years as a student and later observations from the perspective of a pro player and teacher.

If you’ve been trying to figure out music theory to make up for the possibility that your ear isn’t all that developed, this video will really shed some light on the reason that the theory (as much as I enjoy it) is no substitute for a highly trained ear. I’m not saying that theory isn’t important, but when it comes to playing jazz and improvising, the ear must be first, not the intellect.


LESSON 5: Listening Recommendation: Frank Sinatra: Point of No Return

For me, Frank Sinatra was the greatest singer, ever. He had it all…perfect intonation, diction, dynamics…the way he could tell the story of the lyrics in a way that felt like he was speaking directly to the listener. And, his phrasing…the breath control…astounding.

This album isn’t one of the most popular, like Live at the Sands, or Come Fly With Me (both equally good, but different). This is a mellow, introspective Sinatra, not the ring-a-ding Sinatra. Axel Stordahl’s arrangements are great examples of beautiful, clear, uncluttered orchestration. Like all of Sinatra’s Capital album’s, the engineering is top notch, sounding like it was recorded today.


aprox 27 min

Module 03


LESSON 1: Enclosures
In this video, I demonstrate the enclosure, one of the most common elements of the bebop language. An enclosure consists of a targeted note preceded by upper and lower neighboring tones. Includes several practice strategies for working with the enclosures.

LESSON 2: Hip Lick #157 Tutorial - Working with Moving 7ths
In this video, I break down Hip Lick #157 into component parts and show you how the lick is built. Getz, Stitt, Coltrane, Rollins…they all use this fantastic device, which provides great harmonic color through voice-leading on the minor chord in a ii / V or ii / V / I.

LESSON 3: Halsted Street Etude - ALTO
Ideas and exercises for practicing, and getting the most out of this original jazz Etude with your ALTO sax.

LESSON 4: Halsted Street Etude - TENOR
Ideas and exercises for practicing, and getting the most out of this original jazz Etude with your TENOR sax.

LESSON 5: Road Tips - Location of Notes within Maj7 Chords - Part 3 of 3
In this lesson, I’ll show you how to think of one note in four different locations within a major 7th chord. For example, C = Root of Cmaj7, but C = the 3rd of Abmaj7, C = the 5th of Fmaj7, and C = the 7th of Db maj7. The importance of enharmonic notes is also discussed in the video.

approx 55 min

Module 08


LESSON 1: Dressing up a Dominant 7th Arpeggio with enclosure around the 3rd
In this lesson, I’ll show you how to go beyond a basic chord arpeggio by changing the order of the notes, switching from 1-3-5-7 to 1-5-3-7 and then adding an enclosure to the 3rd. Also includes some very cool idiomatic fingerings to fatten up the sound of some notes. PDF includes transription of the exercise in 12 keys. INTERMEDIATE LEVEL.

LESSON 2: Diatonic 7th Chords
In this video, I show you how to practice diatonic seventh chords on the piano. This lesson is very important for all musicians, whether they play saxophone or trumpet…the piano is the most complete instrument, harmonically speaking, and practicing chords on the piano really took my hearing (and sax playing) to a new level. This material in this video is essnential for all levels. BEGINNING / INTERMEDIATE LEVEL.

LESSON 3: Chromatic Bebop Scales with alternating starting points
In this video lesson, I show you how to practice the bebop scale from two different starting points–the root from the top, descending, and also from the 3rd, ascending. This pattern has a very smooth sound and it will give you great control of the scale. The transition between the two scales includes an enclosure that sets up the new scale. I’ve also included special tips on sneaking in a breath during a long-phrase, as well as some optional rhythms which can be used for the ascending scale. If you have your basic bebop scale under control (starting from the root and ending on the root), you’re ready for this next step. INTERMEDIATE & ADVANCED LEVEL.

LESSSON 4: Locrian Mode - A new system for learning the scale
In this video, I show you a different approach to learning the Locrian scale. First, I review the traditional way the scale is taught. Next, I show you a different system that has worked well for me. The system involves combining two chords to form the scale. In the second half of the video, I show you a nice iimi7/V7b9/i mi line which nails the changes. Also includes a discussion of the application of the descending Harmonic Minor scale. INTERMEDIATE & ADVANCED LEVEL.

LESSON 5: Walking and Thinking in Regulated Time - Scales & Fitness
In this video lesson, I share one of my personal practice techniques of walking and practicing my scales in time, coordinated with my footsteps. This is a great way to get your scales and chords together while getting out of the practice room for some exercise and fresh air. When you come back to the horn after this type of work, you’ll be amazed at how easy it feels to play through your scales and chords. I’ve been doing this for many years, and it really works! Have fun with it.

aprox 35 min

Module 09


LESSON 1: Cry Me A River Lick (Rosetta Stone of Licks) Sax Version
In this video lesson, I teach eight applications of the famous CMAR lick (Based on the first few notes of “Cry Me A River”). I call this the “Rosetta Stone” of licks, because it can fit in 96 different places. I apply the lick to: mi7, altered dominant, mi7b5, maj7#11, straight dominant, mi13, maj7 and sus7b9 chords. Be sure to also watch the companion video in which I demonstrate this same material at the piano. In that video, I have additional commentary about the changing “mood” of the lick as it is applied to the various settings. INTERMEDIATE & ADVANCED LEVEL.

LESSON 2: Cry Me A River Lick (Rosetta Stone of Licks) - Piano Version
In this video, I demonstrate eight different harmonic settings for the “Cry Me A River” (CMAR) lick. I call this the “Rosetta Stone” of licks, because it works over so many different types of chords. This video is different than the saxophone version–In this video. Toward the end of the lesson, I mention my interpretation of the “moods” implied by each of the different harmonic settings. Also, this version lets you hear the lick against a chord voicing,, with all of the notes sounding together, while the sax version features a chord arpeggio, followed by the lick. Both videos are fun and packed with essential materials. INTERMEDIATE & ADVANCED LEVEL.

LESSON 3: Dominant 7th Chords - Piano Accompaniment
In this video lesson, I play the piano to accompany your practicing the dominant 7th chords in all four directions: 1. UP 2. DOWN 3. UP/DOWN ALTERNATING and 4. DOWN/UP ALTERNATING. Play your saxophone along with this piano accompaniment and match the pitch and time of the piano. This is excellent training for the chords, and it will drastically improve your tone, pitch and time. Everything is played at a comfortable eighty-eight beats per quarter note, so it will not present a technical challenge. I have included full notation of the entire exercise for Concert, Eb Alto and Bb Tenor. To ensure your success as an improvising musician, it is absolutely essential that you learn these chords by memory and practice them daily. INTERMEDIATE LEVEL.

LESSSON 4: Major 7th Chords - Piano Accompaniment
In this video lesson, I play the piano to accompany your practicing the major 7th chords in all four directions: 1. UP 2. DOWN 3. UP/DOWN ALTERNATING and 4. DOWN/UP ALTERNATING. Play your saxophone along with this piano accompaniment and match the pitch and time of the piano. This is excellent training for the chords, and it will drastically improve your tone, pitch and time. Everything is played at a comfortable eighty-eight beats per quarter note, so it will not present a technical challenge. I have included full notation of the entire exercise for Concert, Eb Alto and Bb Tenor. To ensure your success as an improvising musician, it is absolutely essential that you learn these chords by memory and practice them daily. INTERMEDIATE LEVEL.

LESSON 5: Minor 7th Chords - Piano Accompaniment
In this video lesson, I play the piano to accompany your practicing the minor 7th chords in all four directions: 1. UP 2. DOWN 3. UP/DOWN ALTERNATING and 4. DOWN/UP ALTERNATING. Play your saxophone along with this piano accompaniment and match the pitch and time of the piano. This is excellent training for the chords, and it will drastically improve your tone, pitch and time. Everything is played at a comfortable eighty-eight beats per quarter note, so it will not present a technical challenge. I have included full notation of the entire exercise for Concert, Eb Alto and Bb Tenor. To ensure your success as an improvising musician, it is absolutely essential that you learn these chords by memory and practice them daily. INTERMEDIATE LEVEL.
LESSON 6: Road Tips - The Ab = ?
Greg shows how to keep your mind focused and sharp even when you’re away from the horn. This music theory game involves thinking of the note “Ab” as different degrees of major scales.

aprox 35 min

Module 09


LESSON 1: Cry Me A River Lick (Rosetta Stone of Licks) Sax Version
In this video lesson, I teach eight applications of the famous CMAR lick (Based on the first few notes of “Cry Me A River”). I call this the “Rosetta Stone” of licks, because it can fit in 96 different places. I apply the lick to: mi7, altered dominant, mi7b5, maj7#11, straight dominant, mi13, maj7 and sus7b9 chords. Be sure to also watch the companion video in which I demonstrate this same material at the piano. In that video, I have additional commentary about the changing “mood” of the lick as it is applied to the various settings. INTERMEDIATE & ADVANCED LEVEL.

LESSON 2: Cry Me A River Lick (Rosetta Stone of Licks) - Piano Version
In this video, I demonstrate eight different harmonic settings for the “Cry Me A River” (CMAR) lick. I call this the “Rosetta Stone” of licks, because it works over so many different types of chords. This video is different than the saxophone version–In this video. Toward the end of the lesson, I mention my interpretation of the “moods” implied by each of the different harmonic settings. Also, this version lets you hear the lick against a chord voicing,, with all of the notes sounding together, while the sax version features a chord arpeggio, followed by the lick. Both videos are fun and packed with essential materials. INTERMEDIATE & ADVANCED LEVEL.

LESSON 3: Dominant 7th Chords - Piano Accompaniment
In this video lesson, I play the piano to accompany your practicing the dominant 7th chords in all four directions: 1. UP 2. DOWN 3. UP/DOWN ALTERNATING and 4. DOWN/UP ALTERNATING. Play your saxophone along with this piano accompaniment and match the pitch and time of the piano. This is excellent training for the chords, and it will drastically improve your tone, pitch and time. Everything is played at a comfortable eighty-eight beats per quarter note, so it will not present a technical challenge. I have included full notation of the entire exercise for Concert, Eb Alto and Bb Tenor. To ensure your success as an improvising musician, it is absolutely essential that you learn these chords by memory and practice them daily. INTERMEDIATE LEVEL.

LESSSON 4: Major 7th Chords - Piano Accompaniment
In this video lesson, I play the piano to accompany your practicing the major 7th chords in all four directions: 1. UP 2. DOWN 3. UP/DOWN ALTERNATING and 4. DOWN/UP ALTERNATING. Play your saxophone along with this piano accompaniment and match the pitch and time of the piano. This is excellent training for the chords, and it will drastically improve your tone, pitch and time. Everything is played at a comfortable eighty-eight beats per quarter note, so it will not present a technical challenge. I have included full notation of the entire exercise for Concert, Eb Alto and Bb Tenor. To ensure your success as an improvising musician, it is absolutely essential that you learn these chords by memory and practice them daily. INTERMEDIATE LEVEL.

LESSON 5: Minor 7th Chords - Piano Accompaniment
In this video lesson, I play the piano to accompany your practicing the minor 7th chords in all four directions: 1. UP 2. DOWN 3. UP/DOWN ALTERNATING and 4. DOWN/UP ALTERNATING. Play your saxophone along with this piano accompaniment and match the pitch and time of the piano. This is excellent training for the chords, and it will drastically improve your tone, pitch and time. Everything is played at a comfortable eighty-eight beats per quarter note, so it will not present a technical challenge. I have included full notation of the entire exercise for Concert, Eb Alto and Bb Tenor. To ensure your success as an improvising musician, it is absolutely essential that you learn these chords by memory and practice them daily. INTERMEDIATE LEVEL.
LESSON 6: Road Tips - The Ab = ?
Greg shows how to keep your mind focused and sharp even when you’re away from the horn. This music theory game involves thinking of the note “Ab” as different degrees of major scales.

aprox 35 min

Module 10


LESSON 1: Hip Lick #1 Video Lesson
In this video, we’ll explore a simple technique for creating variations on Hip Lick #1. This is part of a concept that I call “High Mileage.” High Mileage means that you have the ability to create many variations on any lick or pattern. This is a very important skill for any improvisor, and one of the major differences between the aspiring player and the professional…the pro can easily create variations on a theme, while the aspiring player just keeps repeating the same exact lick. INTERMEDIATE & ADVANCED LEVEL.

LESSON 2: The “Speed Bag” for Fast Technique
In this video, I demonstrate a technique with I developed in my own practice sessions. I call it the “Speed Bag,” named for the small punching bag that boxers use to train for speed. I found that a continuous motion of notes gave me improved fluency of technique and increased speed ability. In this video, I use Hip Lick #1 to demonstrate the concept, but you can use this technique with any lick, prase or pattern. Watch this video to see one of the ways that I work on my high-speed chops. ADVANCED LEVEL.

LESSON 3: Minor 7b5 Chords - Piano Accompaniment Video
In this video lesson, I play the piano to accompany your practicing the minor 7b5 chords in all four directions: 1. UP 2. DOWN 3. UP/DOWN ALTERNATING and 4. DOWN/UP ALTERNATING. Play your saxophone along with this piano accompaniment and match the pitch and time of the piano. This is excellent training for the chords, and it will drastically improve your tone, pitch and time. Everything is played at a comfortable eighty-eight beats per quarter note, so it will not present a technical challenge. I have included full notation of the entire exercise for Concert, Eb Alto and Bb Tenor. To ensure your success as an improvising musician, it is absolutely essential that you learn these chords by memory and practice them daily. INTERMEDIATE LEVEL.

LESSSON 4: Diminished 7th Chords - Piano Accompaniment Video
In this video lesson, I play the piano to accompany your practicing the diminished 7th chords in all four directions: 1. UP 2. DOWN 3. UP/DOWN ALTERNATING and 4. DOWN/UP ALTERNATING. Play your saxophone along with this piano accompaniment and match the pitch and time of the piano. This is excellent training for the chords, and it will drastically improve your tone, pitch and time. Everything is played at a comfortable eighty-eight beats per quarter note, so it will not present a technical challenge. I have included full notation of the entire exercise for Concert, Eb Alto and Bb Tenor. To ensure your success as an improvising musician, it is absolutely essential that you learn these chords by memory and practice them daily. INTERMEDIATE LEVEL.

LESSON 5: Road Tips - The Db = ?
Greg shows how to keep your mind focused and sharp even when you’re away from the horn. This music theory game involves thinking of the note “Db” as different degrees of major scales. This note is a bit of a challenge, because it will sometimes be necessary to respell the scale to fit the note. For example, The key of Bb has “D” for the third note. So, that means that Bbb would have a “Db” for the third note. The problem is, that’s a “hypothetical” scale…it doesn’t really exist, because we can’t have double flats in the major scale system. So, it becomes necessary to respell the “Db” as a “C#,” which would give you that pitch acting as the third note in an A major scale. This can be confusing at first, but if you familiarize yourself with enharmonic spellings, it will get easier and easier for you to hear and place the Db (C#) as any degree of a major scale.

aprox 25 min

Module 23


LESSON 1: Hip Lick #2 - Video Lesson

This video lesson starts with a demonstration of the lick played in several keys, followed by a step-by-step approach showing you how to create the lick.

This lesson also includes strategies for using the lick for ear training, high-speed technical practice, as well as lots of cool variations on the lick. Includes detailed PDF lesson practice notes in C, Bb and Eb. Intermediate Level.

LESSON 2: 7 Modes of Major - The Mode Sandwich
In this video lesson, I explore the traditional way the modes are taught and then demonstrate my system of playing all of the modes “sandwiched” between a low and high C.
The low and high C’s act as the top and bottom pieces of bread, with the seven different flavors of modes between the two C’s. Also includes a fun device to memorize the order of the mode names. A fun video of essentials for all players. Beginning & Intermediate level, with PDF practice notes.

LESSON 3: Interactive Metronome Practice
In this video lesson, I share an approach to working with the metronome in which the metronome is an active, rhythmic part of the solo. I have the metronome clicking on 2 & 4, and I make up a solo based on the chords of “Take the A Train.”
The solo is full of playful rhythmic twists and turns which interact with the clicks of the metronome. Includes a PDF transcription of the solo for Bb, Eb and C instruments. Intermediate & Advanced Level.

LESSON 4: Hearing the Metronome on 2 & 4
In this video lesson, I show you my technique for hearing the metronome on beats two and four.
This is an essential skill for all jazz musicians. When I hear the metronome on 2 & 4, I imagine the metronome acting as a hi-hat, since that’s where the hi-hat clicks for most swing/bop tunes in 4/4 time.
If you’ve ever had difficulty in perceiving the metronome as clicking on “2 & 4,” this video is for you.


LESSON 5: Listening Recommendation: Dexter Gordon - Go
In this video lesson, I discuss one of my favorite Dexter Gordon albums.

aprox 29 min

Module 05


LESSON 1: Hip Lick #4 (aka The Honeysuckle Rose Lick)
Hip Lick #4 (from Hip Licks for Saxophone Volume 1) is analyzed from a melodic and harmonic standpoint. Includes exercises to improve your ear through the addition of chord arpeggios added to the lick. Also features a section on using the lick to improve your high-speed chops with a technique called the “Speed Bag.” Greg also demonstrates various ways of playing the lick in different keys, as well as placing the lick in songs. INTERMEDIATE & ADVANCED LEVEL.

LESSON 2: The Three Middle D’s of the Saxophone
One of the ways that the master players customize their sound is to use alternate fingerings, adding or subtracting weight to certain notes. This approach adds incredible detail to your lines. In this video, Greg demonstrates the three fingerings for middle D and also explains the musical reasons for choosing one fingering over another. PDF notes for this lesson include fingerings and written examples of the lines played in the video. INTERMEDIATE & ADVANCED LEVEL.

LESSON 3: State Street ALTO
Greg gives a detailed analysis of “State Street” from Jazz Saxophone Etudes Volume 1. Includes tips on high speed playing, note groupings, chord substitution and moving sevenths. ADVANCED LEVEL.

LESSON 4: State Street TENORGreg gives a detailed analysis of “State Street” from Jazz Saxophone Etudes Volume 1. Includes tips on high speed playing, note groupings, chord substitution and moving sevenths. ADVANCED LEVEL.

LESSON 5: Road Tips - The F = ?Greg shows how to keep your mind focused and sharp even when you’re away from the horn. This music theory game involves thinking of the note “F” as different degrees of major scales.

aprox 45 min

Module 21


LESSON 1: The Cycle - Red & Blue Card System by Greg Fishman
In this video lesson, I share my unique system for learning the cycle by combining two whole-tone scales. While I’ve shared this concept of using these scales in a previous video, I’ve had many requests to demonstrate my “shuffled cards” analogy on camera.
This lesson takes the cycle and puts it on a visual plane, making it very easy to remember. If you’ve ever had any difficulty with memorizing the cycle, this video will immediately clear things up! Be sure to have your instrument out so that you can play along as I hold up the cards and explain how the two decks will combine to form the cycle. INTERMEDIATE LEVEL.

LESSON 2: Speedbag with Major 2nds
Speedbag with Major 2nds
In this video lesson, I work with page 23 from my book, “Intervals in Action,” to show you how I use the “speedbag” technique with Major 2nd intervals to increase and improve the speed, accuracy and control of my technique on the saxophone. INTERMEDIATE & ADVANCED LEVEL. Includes a PDF of the page from the book that was used in the video.

LESSON 3: Major 2nd Video Lesson - Intervals in Action
In this video lesson, I demonstrate many different practice strategies for working with Section 1 of the book “Intervals in Action.” Topics covered include: Creating new rhythms, playing the intervals in a 5/4 time, playing in retrograde (backwards), playing in tritone pairs, and more! Includes a PDF of the full page used in the video lesson. INTERMEDIATE & ADVANCED.


LESSON 4: Hip Lick #5 Video Lesson
In this video lesson, I’ll show you how to work with Hip Lick #5 from my book, Hip Licks for Saxophone, Volume 1.
This is a popular ii mi7 – V7 lick that starts on the 9th of the mi7 chord. The lesson takes you through a new way of practicing licks in twelve keys, by adding just one note at a time to the lick. Also includes a brief discussion of the indirect voice-leading from 7 to 3 used in this lick, along with a comparison to the direct 7 to 3 voice-leading used in lick 1.
PDF includes the lick written out in all 12 keys plus the add-a-note versions of the lick. INTERMEDIATE & ADVANCED LEVEL.

LESSON 5: Listening Recommendation: Paul Desmond & Gerry Mulligan - Two of A Mind
In this video lesson, I discuss some of my favorite elements of these two amazing player’s styles.

aprox 30 min

Module 38


LESSON 1: Scale Junction Navigation

In this video lesson, I share my method for connecting various types of scales through a ii V I progression. This is a critical skill for all improvisers, as it gives you the flexibility to switch smoothly from the scale of the current chord to the scale for a new chord Many players are limited in their approach with scales because they think that they need to start each new scale from the root.

This is how scales are often taught in academic settings, but my system shows you how to easily connect the scales through voice-leading, from any note, highlighting the strongest notes in every chord. INTERMEDIATE & ADVANCED LEVEL. Includes detailed PDF practice notes for Bb, Eb and C instruments.
.


LESSON 2: Charlie Parker - Use of Bebop Ornamentation

In this video lesson, I analyze Parker’s use and application of bebop ornamentation. Bebop is an ornate style of jazz, sharing some similarities to baroque classical music in its use of ornamentation. Ornamental notes are what I describe as “sudden sixteenths” which are placed within an eighth-note line to add extra detail and sophistication to the line. In this lesson, I take a Parker phrase and break it down, removing all of the ornaments and then showing you how to use these concepts in your own lines, demonstrating with a line that I composed and then enhanced with the application of bebop ornaments in the Parker style.

INTERMEDIATE & ADVANCED LEVEL. Includes detailed PDF practice notes for Bb, Eb, and C instruments.


LESSON 3: Locating the 13th of a Chord

The thirteenth is one of the most colorful notes in a chord, and yet, many aspiring players have a difficult time locating and hearing the note. In this video lesson, I show you my system for easily hearing and locating the thirteenth of any chord.

This lesson includes hearing thirteenths over: Maj7, dom7, mi7, mi7b5 and dim7 chords. Intermediate level. Includes detailed PDF practice notes for Bb, Eb and C instruments.


LESSON 4: Listening Recommendation: Mel Torme Swings Shubert Alley

One of my favorite albums! Mel Torme at the height of his powers with beautiful pitch, tone, phrasing, taste, and humor. Marty Paich, one of my favorite arrangers, has created an amazing collection of arrangements of popular standards.

I love his instrumentation and the inclusion of the tuba in this ensemble. The engineering is also incredible on this album. It’s like you’re right there in the studio with the guys. Paich is also quite humorous, having the band slyly quoting “Who’s Sorry Now” and “Easy Living” while Mel is singing the tune “Just in Time.”

The band is an all-star cast of top West Coast players at the time — Jack Sheldon on Trumpet, Frank Rosolino on trombone, Art Pepper on alto, Mel Lewis on drums…A must-have for any collection.


approx 38 min

Module 37


LESSON 1: Rollins & Coltrane Ornaments

In this video lesson, I demonstrate two of my favorite approaches to bebop ornamentation, based on my observations of Rollins and Coltrane and the way that they dress up their lines with ornaments. Intermediate & Advanced level. Includes detailed PDF practice notes for Bb, Eb and C instruments.


LESSON 2: The Jackpot 7-7-7 - Hearing a major scale over a II V I

In this video lesson, I show my technique for harmonically aligning a major scale over a ii V I. This strategic approach provides great clarity and voice leading, giving you all 3’s, 5’s, 7’s or 9’s over a ii V I while simply playing a diatonic scale.

A key factor is setting up your ear to hear the roots of the chords in relation to the starting note of the line. I demonstrate the process throughout the video lesson. Intermediate & Advanced level. Includes detailed PDF practice notes for Bb, Eb, and C instruments.


LESSON 3: Speed Bag - Cool Minor Lick

In this video lesson, I share one of my favorite minor patterns that I used for working up my technique.

This is a short but very effective lick for improving your precision on the keys, as well as improving alignment between your articulation and fingers. ALL LEVELS. Includes detailed PDF practice notes for Bb, Eb and C instruments.


LESSON 4: Greg's Philosophy of Music: Playing by Theory vs Playing by Ear

In this video lesson, I discuss the difference between playing by theory and playing by ear. I share many examples from my years as a student and later observations from the perspective of a pro player and teacher.

If you’ve been trying to figure out music theory to make up for the possibility that your ear isn’t all that developed, this video will really shed some light on the reason that the theory (as much as I enjoy it) is no substitute for a highly trained ear. I’m not saying that theory isn’t important, but when it comes to playing jazz and improvising, the ear must be first, not the intellect.


LESSON 5: Listening Recommendation: Frank Sinatra: Point of No Return

For me, Frank Sinatra was the greatest singer, ever. He had it all…perfect intonation, diction, dynamics…the way he could tell the story of the lyrics in a way that felt like he was speaking directly to the listener. And, his phrasing…the breath control…astounding.

This album isn’t one of the most popular, like Live at the Sands, or Come Fly With Me (both equally good, but different). This is a mellow, introspective Sinatra, not the ring-a-ding Sinatra. Axel Stordahl’s arrangements are great examples of beautiful, clear, uncluttered orchestration. Like all of Sinatra’s Capital album’s, the engineering is top notch, sounding like it was recorded today.


aprox 27 min

Module 03


LESSON 1: Enclosures
In this video, I demonstrate the enclosure, one of the most common elements of the bebop language. An enclosure consists of a targeted note preceded by upper and lower neighboring tones. Includes several practice strategies for working with the enclosures.

LESSON 2: Hip Lick #157 Tutorial - Working with Moving 7ths
In this video, I break down Hip Lick #157 into component parts and show you how the lick is built. Getz, Stitt, Coltrane, Rollins…they all use this fantastic device, which provides great harmonic color through voice-leading on the minor chord in a ii / V or ii / V / I.

LESSON 3: Halsted Street Etude - ALTO
Ideas and exercises for practicing, and getting the most out of this original jazz Etude with your ALTO sax.

LESSON 4: Halsted Street Etude - TENOR
Ideas and exercises for practicing, and getting the most out of this original jazz Etude with your TENOR sax.

LESSON 5: Road Tips - Location of Notes within Maj7 Chords - Part 3 of 3
In this lesson, I’ll show you how to think of one note in four different locations within a major 7th chord. For example, C = Root of Cmaj7, but C = the 3rd of Abmaj7, C = the 5th of Fmaj7, and C = the 7th of Db maj7. The importance of enharmonic notes is also discussed in the video.

approx 55 min

Module 08


LESSON 1: Dressing up a Dominant 7th Arpeggio with enclosure around the 3rd
In this lesson, I’ll show you how to go beyond a basic chord arpeggio by changing the order of the notes, switching from 1-3-5-7 to 1-5-3-7 and then adding an enclosure to the 3rd. Also includes some very cool idiomatic fingerings to fatten up the sound of some notes. PDF includes transription of the exercise in 12 keys. INTERMEDIATE LEVEL.

LESSON 2: Diatonic 7th Chords
In this video, I show you how to practice diatonic seventh chords on the piano. This lesson is very important for all musicians, whether they play saxophone or trumpet…the piano is the most complete instrument, harmonically speaking, and practicing chords on the piano really took my hearing (and sax playing) to a new level. This material in this video is essnential for all levels. BEGINNING / INTERMEDIATE LEVEL.

LESSON 3: Chromatic Bebop Scales with alternating starting points
In this video lesson, I show you how to practice the bebop scale from two different starting points–the root from the top, descending, and also from the 3rd, ascending. This pattern has a very smooth sound and it will give you great control of the scale. The transition between the two scales includes an enclosure that sets up the new scale. I’ve also included special tips on sneaking in a breath during a long-phrase, as well as some optional rhythms which can be used for the ascending scale. If you have your basic bebop scale under control (starting from the root and ending on the root), you’re ready for this next step. INTERMEDIATE & ADVANCED LEVEL.

LESSSON 4: Locrian Mode - A new system for learning the scale
In this video, I show you a different approach to learning the Locrian scale. First, I review the traditional way the scale is taught. Next, I show you a different system that has worked well for me. The system involves combining two chords to form the scale. In the second half of the video, I show you a nice iimi7/V7b9/i mi line which nails the changes. Also includes a discussion of the application of the descending Harmonic Minor scale. INTERMEDIATE & ADVANCED LEVEL.

LESSON 5: Walking and Thinking in Regulated Time - Scales & Fitness
In this video lesson, I share one of my personal practice techniques of walking and practicing my scales in time, coordinated with my footsteps. This is a great way to get your scales and chords together while getting out of the practice room for some exercise and fresh air. When you come back to the horn after this type of work, you’ll be amazed at how easy it feels to play through your scales and chords. I’ve been doing this for many years, and it really works! Have fun with it.

aprox 35 min

Module 09


LESSON 1: Cry Me A River Lick (Rosetta Stone of Licks) Sax Version
In this video lesson, I teach eight applications of the famous CMAR lick (Based on the first few notes of “Cry Me A River”). I call this the “Rosetta Stone” of licks, because it can fit in 96 different places. I apply the lick to: mi7, altered dominant, mi7b5, maj7#11, straight dominant, mi13, maj7 and sus7b9 chords. Be sure to also watch the companion video in which I demonstrate this same material at the piano. In that video, I have additional commentary about the changing “mood” of the lick as it is applied to the various settings. INTERMEDIATE & ADVANCED LEVEL.

LESSON 2: Cry Me A River Lick (Rosetta Stone of Licks) - Piano Version
In this video, I demonstrate eight different harmonic settings for the “Cry Me A River” (CMAR) lick. I call this the “Rosetta Stone” of licks, because it works over so many different types of chords. This video is different than the saxophone version–In this video. Toward the end of the lesson, I mention my interpretation of the “moods” implied by each of the different harmonic settings. Also, this version lets you hear the lick against a chord voicing,, with all of the notes sounding together, while the sax version features a chord arpeggio, followed by the lick. Both videos are fun and packed with essential materials. INTERMEDIATE & ADVANCED LEVEL.

LESSON 3: Dominant 7th Chords - Piano Accompaniment
In this video lesson, I play the piano to accompany your practicing the dominant 7th chords in all four directions: 1. UP 2. DOWN 3. UP/DOWN ALTERNATING and 4. DOWN/UP ALTERNATING. Play your saxophone along with this piano accompaniment and match the pitch and time of the piano. This is excellent training for the chords, and it will drastically improve your tone, pitch and time. Everything is played at a comfortable eighty-eight beats per quarter note, so it will not present a technical challenge. I have included full notation of the entire exercise for Concert, Eb Alto and Bb Tenor. To ensure your success as an improvising musician, it is absolutely essential that you learn these chords by memory and practice them daily. INTERMEDIATE LEVEL.

LESSSON 4: Major 7th Chords - Piano Accompaniment
In this video lesson, I play the piano to accompany your practicing the major 7th chords in all four directions: 1. UP 2. DOWN 3. UP/DOWN ALTERNATING and 4. DOWN/UP ALTERNATING. Play your saxophone along with this piano accompaniment and match the pitch and time of the piano. This is excellent training for the chords, and it will drastically improve your tone, pitch and time. Everything is played at a comfortable eighty-eight beats per quarter note, so it will not present a technical challenge. I have included full notation of the entire exercise for Concert, Eb Alto and Bb Tenor. To ensure your success as an improvising musician, it is absolutely essential that you learn these chords by memory and practice them daily. INTERMEDIATE LEVEL.

LESSON 5: Minor 7th Chords - Piano Accompaniment
In this video lesson, I play the piano to accompany your practicing the minor 7th chords in all four directions: 1. UP 2. DOWN 3. UP/DOWN ALTERNATING and 4. DOWN/UP ALTERNATING. Play your saxophone along with this piano accompaniment and match the pitch and time of the piano. This is excellent training for the chords, and it will drastically improve your tone, pitch and time. Everything is played at a comfortable eighty-eight beats per quarter note, so it will not present a technical challenge. I have included full notation of the entire exercise for Concert, Eb Alto and Bb Tenor. To ensure your success as an improvising musician, it is absolutely essential that you learn these chords by memory and practice them daily. INTERMEDIATE LEVEL.
LESSON 6: Road Tips - The Ab = ?
Greg shows how to keep your mind focused and sharp even when you’re away from the horn. This music theory game involves thinking of the note “Ab” as different degrees of major scales.

aprox 35 min

Module 09


LESSON 1: Cry Me A River Lick (Rosetta Stone of Licks) Sax Version
In this video lesson, I teach eight applications of the famous CMAR lick (Based on the first few notes of “Cry Me A River”). I call this the “Rosetta Stone” of licks, because it can fit in 96 different places. I apply the lick to: mi7, altered dominant, mi7b5, maj7#11, straight dominant, mi13, maj7 and sus7b9 chords. Be sure to also watch the companion video in which I demonstrate this same material at the piano. In that video, I have additional commentary about the changing “mood” of the lick as it is applied to the various settings. INTERMEDIATE & ADVANCED LEVEL.

LESSON 2: Cry Me A River Lick (Rosetta Stone of Licks) - Piano Version
In this video, I demonstrate eight different harmonic settings for the “Cry Me A River” (CMAR) lick. I call this the “Rosetta Stone” of licks, because it works over so many different types of chords. This video is different than the saxophone version–In this video. Toward the end of the lesson, I mention my interpretation of the “moods” implied by each of the different harmonic settings. Also, this version lets you hear the lick against a chord voicing,, with all of the notes sounding together, while the sax version features a chord arpeggio, followed by the lick. Both videos are fun and packed with essential materials. INTERMEDIATE & ADVANCED LEVEL.

LESSON 3: Dominant 7th Chords - Piano Accompaniment
In this video lesson, I play the piano to accompany your practicing the dominant 7th chords in all four directions: 1. UP 2. DOWN 3. UP/DOWN ALTERNATING and 4. DOWN/UP ALTERNATING. Play your saxophone along with this piano accompaniment and match the pitch and time of the piano. This is excellent training for the chords, and it will drastically improve your tone, pitch and time. Everything is played at a comfortable eighty-eight beats per quarter note, so it will not present a technical challenge. I have included full notation of the entire exercise for Concert, Eb Alto and Bb Tenor. To ensure your success as an improvising musician, it is absolutely essential that you learn these chords by memory and practice them daily. INTERMEDIATE LEVEL.

LESSSON 4: Major 7th Chords - Piano Accompaniment
In this video lesson, I play the piano to accompany your practicing the major 7th chords in all four directions: 1. UP 2. DOWN 3. UP/DOWN ALTERNATING and 4. DOWN/UP ALTERNATING. Play your saxophone along with this piano accompaniment and match the pitch and time of the piano. This is excellent training for the chords, and it will drastically improve your tone, pitch and time. Everything is played at a comfortable eighty-eight beats per quarter note, so it will not present a technical challenge. I have included full notation of the entire exercise for Concert, Eb Alto and Bb Tenor. To ensure your success as an improvising musician, it is absolutely essential that you learn these chords by memory and practice them daily. INTERMEDIATE LEVEL.

LESSON 5: Minor 7th Chords - Piano Accompaniment
In this video lesson, I play the piano to accompany your practicing the minor 7th chords in all four directions: 1. UP 2. DOWN 3. UP/DOWN ALTERNATING and 4. DOWN/UP ALTERNATING. Play your saxophone along with this piano accompaniment and match the pitch and time of the piano. This is excellent training for the chords, and it will drastically improve your tone, pitch and time. Everything is played at a comfortable eighty-eight beats per quarter note, so it will not present a technical challenge. I have included full notation of the entire exercise for Concert, Eb Alto and Bb Tenor. To ensure your success as an improvising musician, it is absolutely essential that you learn these chords by memory and practice them daily. INTERMEDIATE LEVEL.
LESSON 6: Road Tips - The Ab = ?
Greg shows how to keep your mind focused and sharp even when you’re away from the horn. This music theory game involves thinking of the note “Ab” as different degrees of major scales.

aprox 35 min

Module 10


LESSON 1: Hip Lick #1 Video Lesson
In this video, we’ll explore a simple technique for creating variations on Hip Lick #1. This is part of a concept that I call “High Mileage.” High Mileage means that you have the ability to create many variations on any lick or pattern. This is a very important skill for any improvisor, and one of the major differences between the aspiring player and the professional…the pro can easily create variations on a theme, while the aspiring player just keeps repeating the same exact lick. INTERMEDIATE & ADVANCED LEVEL.

LESSON 2: The “Speed Bag” for Fast Technique
In this video, I demonstrate a technique with I developed in my own practice sessions. I call it the “Speed Bag,” named for the small punching bag that boxers use to train for speed. I found that a continuous motion of notes gave me improved fluency of technique and increased speed ability. In this video, I use Hip Lick #1 to demonstrate the concept, but you can use this technique with any lick, prase or pattern. Watch this video to see one of the ways that I work on my high-speed chops. ADVANCED LEVEL.

LESSON 3: Minor 7b5 Chords - Piano Accompaniment Video
In this video lesson, I play the piano to accompany your practicing the minor 7b5 chords in all four directions: 1. UP 2. DOWN 3. UP/DOWN ALTERNATING and 4. DOWN/UP ALTERNATING. Play your saxophone along with this piano accompaniment and match the pitch and time of the piano. This is excellent training for the chords, and it will drastically improve your tone, pitch and time. Everything is played at a comfortable eighty-eight beats per quarter note, so it will not present a technical challenge. I have included full notation of the entire exercise for Concert, Eb Alto and Bb Tenor. To ensure your success as an improvising musician, it is absolutely essential that you learn these chords by memory and practice them daily. INTERMEDIATE LEVEL.

LESSSON 4: Diminished 7th Chords - Piano Accompaniment Video
In this video lesson, I play the piano to accompany your practicing the diminished 7th chords in all four directions: 1. UP 2. DOWN 3. UP/DOWN ALTERNATING and 4. DOWN/UP ALTERNATING. Play your saxophone along with this piano accompaniment and match the pitch and time of the piano. This is excellent training for the chords, and it will drastically improve your tone, pitch and time. Everything is played at a comfortable eighty-eight beats per quarter note, so it will not present a technical challenge. I have included full notation of the entire exercise for Concert, Eb Alto and Bb Tenor. To ensure your success as an improvising musician, it is absolutely essential that you learn these chords by memory and practice them daily. INTERMEDIATE LEVEL.

LESSON 5: Road Tips - The Db = ?
Greg shows how to keep your mind focused and sharp even when you’re away from the horn. This music theory game involves thinking of the note “Db” as different degrees of major scales. This note is a bit of a challenge, because it will sometimes be necessary to respell the scale to fit the note. For example, The key of Bb has “D” for the third note. So, that means that Bbb would have a “Db” for the third note. The problem is, that’s a “hypothetical” scale…it doesn’t really exist, because we can’t have double flats in the major scale system. So, it becomes necessary to respell the “Db” as a “C#,” which would give you that pitch acting as the third note in an A major scale. This can be confusing at first, but if you familiarize yourself with enharmonic spellings, it will get easier and easier for you to hear and place the Db (C#) as any degree of a major scale.

aprox 25 min

Module 23


LESSON 1: Hip Lick #2 - Video Lesson

This video lesson starts with a demonstration of the lick played in several keys, followed by a step-by-step approach showing you how to create the lick.

This lesson also includes strategies for using the lick for ear training, high-speed technical practice, as well as lots of cool variations on the lick. Includes detailed PDF lesson practice notes in C, Bb and Eb. Intermediate Level.

LESSON 2: 7 Modes of Major - The Mode Sandwich
In this video lesson, I explore the traditional way the modes are taught and then demonstrate my system of playing all of the modes “sandwiched” between a low and high C.
The low and high C’s act as the top and bottom pieces of bread, with the seven different flavors of modes between the two C’s. Also includes a fun device to memorize the order of the mode names. A fun video of essentials for all players. Beginning & Intermediate level, with PDF practice notes.

LESSON 3: Interactive Metronome Practice
In this video lesson, I share an approach to working with the metronome in which the metronome is an active, rhythmic part of the solo. I have the metronome clicking on 2 & 4, and I make up a solo based on the chords of “Take the A Train.”
The solo is full of playful rhythmic twists and turns which interact with the clicks of the metronome. Includes a PDF transcription of the solo for Bb, Eb and C instruments. Intermediate & Advanced Level.

LESSON 4: Hearing the Metronome on 2 & 4
In this video lesson, I show you my technique for hearing the metronome on beats two and four.
This is an essential skill for all jazz musicians. When I hear the metronome on 2 & 4, I imagine the metronome acting as a hi-hat, since that’s where the hi-hat clicks for most swing/bop tunes in 4/4 time.
If you’ve ever had difficulty in perceiving the metronome as clicking on “2 & 4,” this video is for you.


LESSON 5: Listening Recommendation: Dexter Gordon - Go
In this video lesson, I discuss one of my favorite Dexter Gordon albums.

aprox 29 min

Module 05


LESSON 1: Hip Lick #4 (aka The Honeysuckle Rose Lick)
Hip Lick #4 (from Hip Licks for Saxophone Volume 1) is analyzed from a melodic and harmonic standpoint. Includes exercises to improve your ear through the addition of chord arpeggios added to the lick. Also features a section on using the lick to improve your high-speed chops with a technique called the “Speed Bag.” Greg also demonstrates various ways of playing the lick in different keys, as well as placing the lick in songs. INTERMEDIATE & ADVANCED LEVEL.

LESSON 2: The Three Middle D’s of the Saxophone
One of the ways that the master players customize their sound is to use alternate fingerings, adding or subtracting weight to certain notes. This approach adds incredible detail to your lines. In this video, Greg demonstrates the three fingerings for middle D and also explains the musical reasons for choosing one fingering over another. PDF notes for this lesson include fingerings and written examples of the lines played in the video. INTERMEDIATE & ADVANCED LEVEL.

LESSON 3: State Street ALTO
Greg gives a detailed analysis of “State Street” from Jazz Saxophone Etudes Volume 1. Includes tips on high speed playing, note groupings, chord substitution and moving sevenths. ADVANCED LEVEL.

LESSON 4: State Street TENORGreg gives a detailed analysis of “State Street” from Jazz Saxophone Etudes Volume 1. Includes tips on high speed playing, note groupings, chord substitution and moving sevenths. ADVANCED LEVEL.

LESSON 5: Road Tips - The F = ?Greg shows how to keep your mind focused and sharp even when you’re away from the horn. This music theory game involves thinking of the note “F” as different degrees of major scales.

aprox 45 min

Module 21


LESSON 1: The Cycle - Red & Blue Card System by Greg Fishman
In this video lesson, I share my unique system for learning the cycle by combining two whole-tone scales. While I’ve shared this concept of using these scales in a previous video, I’ve had many requests to demonstrate my “shuffled cards” analogy on camera.
This lesson takes the cycle and puts it on a visual plane, making it very easy to remember. If you’ve ever had any difficulty with memorizing the cycle, this video will immediately clear things up! Be sure to have your instrument out so that you can play along as I hold up the cards and explain how the two decks will combine to form the cycle. INTERMEDIATE LEVEL.

LESSON 2: Speedbag with Major 2nds
Speedbag with Major 2nds
In this video lesson, I work with page 23 from my book, “Intervals in Action,” to show you how I use the “speedbag” technique with Major 2nd intervals to increase and improve the speed, accuracy and control of my technique on the saxophone. INTERMEDIATE & ADVANCED LEVEL. Includes a PDF of the page from the book that was used in the video.

LESSON 3: Major 2nd Video Lesson - Intervals in Action
In this video lesson, I demonstrate many different practice strategies for working with Section 1 of the book “Intervals in Action.” Topics covered include: Creating new rhythms, playing the intervals in a 5/4 time, playing in retrograde (backwards), playing in tritone pairs, and more! Includes a PDF of the full page used in the video lesson. INTERMEDIATE & ADVANCED.


LESSON 4: Hip Lick #5 Video Lesson
In this video lesson, I’ll show you how to work with Hip Lick #5 from my book, Hip Licks for Saxophone, Volume 1.
This is a popular ii mi7 – V7 lick that starts on the 9th of the mi7 chord. The lesson takes you through a new way of practicing licks in twelve keys, by adding just one note at a time to the lick. Also includes a brief discussion of the indirect voice-leading from 7 to 3 used in this lick, along with a comparison to the direct 7 to 3 voice-leading used in lick 1.
PDF includes the lick written out in all 12 keys plus the add-a-note versions of the lick. INTERMEDIATE & ADVANCED LEVEL.

LESSON 5: Listening Recommendation: Paul Desmond & Gerry Mulligan - Two of A Mind
In this video lesson, I discuss some of my favorite elements of these two amazing player’s styles.

aprox 30 min