Module 10


LESSON 1: Hip Lick #1 Video Lesson
In this video, we’ll explore a simple technique for creating variations on Hip Lick #1. This is part of a concept that I call “High Mileage.” High Mileage means that you have the ability to create many variations on any lick or pattern. This is a very important skill for any improvisor, and one of the major differences between the aspiring player and the professional…the pro can easily create variations on a theme, while the aspiring player just keeps repeating the same exact lick. INTERMEDIATE & ADVANCED LEVEL.

LESSON 2: The “Speed Bag” for Fast Technique
In this video, I demonstrate a technique with I developed in my own practice sessions. I call it the “Speed Bag,” named for the small punching bag that boxers use to train for speed. I found that a continuous motion of notes gave me improved fluency of technique and increased speed ability. In this video, I use Hip Lick #1 to demonstrate the concept, but you can use this technique with any lick, prase or pattern. Watch this video to see one of the ways that I work on my high-speed chops. ADVANCED LEVEL.

LESSON 3: Minor 7b5 Chords – Piano Accompaniment Video
In this video lesson, I play the piano to accompany your practicing the minor 7b5 chords in all four directions: 1. UP 2. DOWN 3. UP/DOWN ALTERNATING and 4. DOWN/UP ALTERNATING. Play your saxophone along with this piano accompaniment and match the pitch and time of the piano. This is excellent training for the chords, and it will drastically improve your tone, pitch and time. Everything is played at a comfortable eighty-eight beats per quarter note, so it will not present a technical challenge. I have included full notation of the entire exercise for Concert, Eb Alto and Bb Tenor. To ensure your success as an improvising musician, it is absolutely essential that you learn these chords by memory and practice them daily. INTERMEDIATE LEVEL.

LESSSON 4: Diminished 7th Chords – Piano Accompaniment Video
In this video lesson, I play the piano to accompany your practicing the diminished 7th chords in all four directions: 1. UP 2. DOWN 3. UP/DOWN ALTERNATING and 4. DOWN/UP ALTERNATING. Play your saxophone along with this piano accompaniment and match the pitch and time of the piano. This is excellent training for the chords, and it will drastically improve your tone, pitch and time. Everything is played at a comfortable eighty-eight beats per quarter note, so it will not present a technical challenge. I have included full notation of the entire exercise for Concert, Eb Alto and Bb Tenor. To ensure your success as an improvising musician, it is absolutely essential that you learn these chords by memory and practice them daily. INTERMEDIATE LEVEL.

LESSON 5: Road Tips – The Db = ?
Greg shows how to keep your mind focused and sharp even when you’re away from the horn. This music theory game involves thinking of the note “Db” as different degrees of major scales. This note is a bit of a challenge, because it will sometimes be necessary to respell the scale to fit the note. For example, The key of Bb has “D” for the third note. So, that means that Bbb would have a “Db” for the third note. The problem is, that’s a “hypothetical” scale…it doesn’t really exist, because we can’t have double flats in the major scale system. So, it becomes necessary to respell the “Db” as a “C#,” which would give you that pitch acting as the third note in an A major scale. This can be confusing at first, but if you familiarize yourself with enharmonic spellings, it will get easier and easier for you to hear and place the Db (C#) as any degree of a major scale.

aprox 25 min

Module 23


LESSON 1: Hip Lick #2 – Video Lesson

This video lesson starts with a demonstration of the lick played in several keys, followed by a step-by-step approach showing you how to create the lick.

This lesson also includes strategies for using the lick for ear training, high-speed technical practice, as well as lots of cool variations on the lick. Includes detailed PDF lesson practice notes in C, Bb and Eb. Intermediate Level.

LESSON 2: 7 Modes of Major – The Mode Sandwich
In this video lesson, I explore the traditional way the modes are taught and then demonstrate my system of playing all of the modes “sandwiched” between a low and high C.
The low and high C’s act as the top and bottom pieces of bread, with the seven different flavors of modes between the two C’s. Also includes a fun device to memorize the order of the mode names. A fun video of essentials for all players. Beginning & Intermediate level, with PDF practice notes.

LESSON 3: Interactive Metronome Practice
In this video lesson, I share an approach to working with the metronome in which the metronome is an active, rhythmic part of the solo. I have the metronome clicking on 2 & 4, and I make up a solo based on the chords of “Take the A Train.”
The solo is full of playful rhythmic twists and turns which interact with the clicks of the metronome. Includes a PDF transcription of the solo for Bb, Eb and C instruments. Intermediate & Advanced Level.

LESSON 4: Hearing the Metronome on 2 & 4
In this video lesson, I show you my technique for hearing the metronome on beats two and four.
This is an essential skill for all jazz musicians. When I hear the metronome on 2 & 4, I imagine the metronome acting as a hi-hat, since that’s where the hi-hat clicks for most swing/bop tunes in 4/4 time.
If you’ve ever had difficulty in perceiving the metronome as clicking on “2 & 4,” this video is for you.


LESSON 5: Listening Recommendation: Dexter Gordon – Go
In this video lesson, I discuss one of my favorite Dexter Gordon albums.

aprox 29 min

Module 49


LESSON 1: Creating a melody from Three Voice Leading Lines

In this video lesson, I demonstrate how to construct a melody from three voice leading lines. This is a great way to make your playing sound both melodic and harmonically accurate.
Harmonically, this approach covers you because you’re using voice leading from three locations in each chord, leading to three new locations in the upcoming chord. Melodically, you’re covered because this approach has built-in sequencing when you switch between the three voices.
Includes PDF practice notes for Eb, Bb and C instruments.


LESSON 2: Exploring Hip Lick #3

In this video lesson, I explore Hip Lick #3 from Hip Licks for Saxophone, Volume 1. The lick highlights a iimi7 V7 chord progression, starting on the 9th of the iimi7 chord.
The video explores strategies for hearing the root movement, 7-3 voice leading and hearing how to easily locate the first note of the lick, which is the 9th of the iimi7 chord. For advanced players, I demonstrate some ways of extending the lick into a two measure
phrase. Includes PDF practice notes for Bb, Eb and C instruments.


LESSON 3: The High Tide Approach to Scale Practice

In this video lesson, I share my concept called “High Tide” for scale practice. This approach will improve your technical facility on the saxophone while also improving your musical memory.
This approach adds one new note each time you ascend the scale from the root. If you’ve been playing your scales the same-old-way for many years, this new approach will add extra freshness for your ears and your fingers.


LESSON 4: The Surfer Analogy & Thinking in Reverse

In This video lesson I share two key concepts that will help to give you smooth technique through efficiency of motion, minimizing any wasted finger movement while
playing the saxophone. In the surfer analogy, your fingers are the surfers, the keys are the surfboards and the keys moving up and down on the horn are the waves of water.
The “thinking in reverse” concept is something that i developed in my 30’s when exploring ways to improve my technical accuracy on the horn. I found that instead of thinking about the finger pressing the note being played, my technique improved if I focused on the keys not being pressed. Implementing these two concepts will greatly improve your technique on the saxophone.


LESSON 5: Road Tips – Location of Notes within Dominant 7th Chords

In this lesson, I show you how to think of one note in four different locations within a Dominant 7th chord. For example, C = Root of C7, but C = the 3rd of Ab7, C = the 5th of F7, and C = the 7th of D7. The importance of enharmonic notes is also discussed in the video. The first part of the video is at an easy pace.
At the end of the video I do a “speed round” for advanced players. This is a fun way to review and sharpen up your chord spelling skills.


approx 30 min