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FUNDAMENTALS

Module 32


LESSON 1: Bebop Scale Highway – Part 1 of 3
Perhaps you’re familiar with the term “Bebop Scale.” The most common form of the scale is to play a descending Mixolydian scale with the addition of a major seventh. This extra note causes a shift in the placement of the notes in the scale, shifting the primary chord tones on the downbeats.

LESSON 2: Bebop Scale Highway – Part 2 of 3
In part 2 of this lesson the Bebop Scale highway, I demonstrate how to combine different exits for the descending or “Southbound” form of the scale. I also introduce four different exits for the ascending or “Northbound” version of the scale. Includes detailed PDF practice notes for Bb, Eb and C instruments. Intermediate and advanced level.

LESSON 3: Bebop Scale Highway – Part 3 of 3
In part three of this lesson, I demonstrate several different ways to practice the scale and the variations as I play along with Aebersold Volume 16 at a slow practice tempo and also at a fast, professional level tempo. Includes detailed PDF practice notes for Bb, Eb and C instruments. Intermediate and advanced level.

LESSON 4: Listening Recommendation: Antonio Carlos Jobim – Wave
Recorded in 1967, this masterpiece by Antonio Carlos Jobim is one of my favorite albums, in no small part because of the incredibly beautiful arranging and orchestrations of the great Claus Ogerman. Jobim, himself is on piano and guitar, and Ron Carter is playing bass.
The album features two of Jobim’s biggest hits — Wave and Triste, two staples in the Brazilian/Jazz repertoire.

aprox 35 min

Module 30


LESSON 1: The JS Bach Effect
In this video lesson, I explore what I call the “JS Bach” effect. With this effect, Bach turns a basic triad into a melodic masterpiece.
He does this by raising the 3rd of the chord by an octave and changing the note order from 1-3-5 to 1-5-3. This may sound like a simple device, but since it involves some large intervals, it takes a little bit of practice to get comfortable playing it on the saxophone.
I first noticed this great effect when I hear the Bach Cello Suites. This effect is one of my favorites on any instrument, and it really gets your ear to hear the 3rd of any chord very clearly. I demonstrate the JS Bach effect with diatonic triads and also major and minor triads played in the cycle. Includes detailed PDF practice notes for Bb, Eb and C instruments.

LESSON 2: Melodic Embellishment
In this video lesson, I demonstrate the concept of melodic embellishment, using my composition “Milwaukee Avenue” from “Jazz Phrasing for Saxophone, Volume 1.”
This is a medium tempo blues with plenty of space in the melody, similar to a “standard.” In the lesson, I’ll show you how I embellish the original melody by connecting ideas with additional notes or sequences. This is an essential skill for all improvisers. INTERMEDIATE LEVEL, Includes PDF notes for Bb, Eb and C instruments.

LESSON 3: The Dexter Bb Shake
In this video lesson, I show you what I call the “Dexter Bb Shake.” I named it for Dexter Gordon because I first noticed the way that he used the effect.
Although many other tenor players also use this expressive device, I still associate it with Dexter. This is a fun lesson and it helps you work on what I call “timbral shading,” which means modifying the timbre of the note. INTERMEDIATE LEVEL.
Includes PDF practice notes. Since this lesson is dependant on this exact fingering to produce the effect, the PDF is only in the tenor key. This effect will work well on alto with the same fingering, as well.

LESSSON 4: Sonny Rollins Style Articulation
In this video, I demonstrate an intense style of articulation that I learned from listening to one of my favorite players, the great Sonny Rollins. Sonny has an incredible amount of energy and power in his playing, and he’s developed an incredibly percussive style of articulation which introduces short notes in the middle of fast-moving eighth-note lines.
The video includes a demonstration comparing the smoother Sonny Stitt approach to this more percussive approach. INTERMEDIATE & ADVANCED LEVEL. Includes PDF for Bb, Eb and C instruments.

LESSON 5: Listening Recommendation: Sonny Rollins Plus 4
In this video, I discuss one of my favorite Sonny Rollins albums, “Sonny Rollins Plus 4.” This is on the Prestige record label, recorded in 1956.

aprox 33 min

Module 29


LESSON 1: Basic Voice leading for a ii – V – I – PART 1 of 2
In this video lesson, I share some essential voice-leading strategies which will transform your chord arpeggios, making them sound smooth and professional.
f you’re used to just arpeggiating your ii – V – I chords as 1-3-5-7, one after another, this video (in two parts) will take you to the next level! Part one of the lesson deals with major ii V I progressions. INTERMEDIATE LEVEL. Includes detailed PDF practice notes for Bb, Eb and C instruments.

LESSON 2: Basic Voice leading for a ii – V – I – PART 2 of 2
In this video lesson, I share some essential voice-leading strategies which will transform your chord arpeggios, making them sound smooth and professional.
If you’re used to just arpeggiating your ii – V – I chords as 1-3-5-7, one after another, this video (in two parts) will take you to the next level! Part two of the lesson deals with minor ii V I progressions. INTERMEDIATE LEVEL. Includes detailed PDF practice notes for Bb, Eb and C instruments.

LESSON 3: Hip Lick #49
Hip Lick #49 is based on Cmi7. It’s a two-measure lick that outlines the primary notes of the chord (7-5-3-1) while also including some popular bebop elements, such as the opening triplet rhythm on the first beat.
I demonstrate how to use dynamics to liven up the lick and I also play it in 12 keys, descending chromatically. INTERMEDIATE LEVEL. Includes PDF practice notes for Bb, Eb and C instruments.

LESSSON 4: Why Does My Playing Sound so Choppy (and how do I make it Smoother)?
Many students come to me with the same issue…they want to have a smooth sound when playing eighth-note lines, but no matter how slowly they practice, they still have a “choppy” sound. This is a tricky problem to correct because it has several causes.
I explore the three main reasons for the “choppy” sound issue and provide effective solutions for this frustrating issue. When I show these techniques to my students, it immediately raises their playing level, and many years of frustration go away very quickly.
While it will take some time and effort to fix the problem, with the tips from this video lesson, you’ll be sounding smoother than you ever thought possible. INTERMEDIATE LEVEL. Includes PDF practice notes for Bb, Eb and C instruments.

LESSON 5: Listening Recommendation: Marcos Valle – Samba 68
In this video, I discuss one of my all-time favorite albums, Marcos Valle’s “Samba ’68.” It’s deceptive because it sounds so light and fluffy and simple. Actually, it’s incredibly deep, sophisticated writing with some of the catchiest melodies I’ve ever heard.
Each tune is a masterpiece of melodic construction, performed in a charming, relaxed manner, by the composer himself, singing and playing guitar.
The lush orchestrations are by Deodato. Recorded in 1967 and released in 1968, at the tail-end of the bossa nova craze, this is a rare gem of a record.

aprox 35 min

Module 28


LESSON 1: How to Play What You Hear in Your Head
In this video lesson, I share some of my techniques for getting the sounds in your head to come out on your horn.
This is an all “by ear” lesson. Includes a detailed description of the process involved in practicing to develop this unique skill. This lesson is a must for all playing levels, from beginner to advanced level

LESSON 2: Stan Getz Minor 2nd Interval placement – as the 3rd and 9th over a mi7 chord
In this video lesson, we’ll explore one of my favorite harmonic settings a minor second interval, acting as the 3rd / 9th / 3rd of a minor seventh chord. This has a very Getzian kind of sound…smooth and melodic. Includes page 22 from “Intervals in Action,” plus detailed PDF practice guide for C, Bb and Eb instruments. INTERMEDIATE LEVEL

LESSON 3: Phil Woods Turnaround Lick
In this video lesson, I explore what I call the “Phil Woods” turnaround lick. It uses two voice-leading notes to create a beautifully balanced, melodic line of eighth-notes.
We’ll work with a progression of: Emi7 A7b9 / Dmi7 G7b9 / Cmaj7 in the video, but the included PDFs have transposed parts for Eb, Bb and C instruments. Intermediate Level with some additional tips at the end of the video lesson for advanced players.

LESSSON 4: Bebop Tradition: How to Mix a Minor Triad with a Diminished 7th Chord
Part of the bebop tradition involves the usage of both upper extensions and implied harmony. The mixing of the minor triad with a diminished seventh chord adds a strong harmonic boost to any minor passage.
When you mix the diminished seventh chord in with the minor triad, the implied harmony is a temporary V7b9 chord that switches back to the i minor chord.
If this description sounds really complicated, let me just say that it’s a really cool sound, and it’s really easy to add this to your playing. You’ll definitely recognize it when you hear it. INTERMEDIATE and ADVANCED level. Includes detailed PDF practice notes for Bb, Eb, and C instruments.

LESSON 5: Listening Recommendation: Charlie Parker with Strings
In this video, I discuss one of my all-time favorite albums, Charlie Parker’s masterpiece album, “Charlie Parker with Strings.” The album features popular standards from the Great American Songbook, arranged for the strings-plus-rhythm section. Parker at his most eloquent. One of my all-time favorites.

aprox 26 min

Module 27


LESSON 1: Double-time Passage from Ravenswood Avenue
In this video lesson, you’ll observe me working with my Skype student Ritchie Graham (in Scotland). Over the years, many students have struggled with this double-time passage that I composed for my etude “Ravenswood Avenue.”
I share some unique practice techniques for gaining control over this tricky passage. Rather than just playing the phrase myself, I felt that it would be very instructive for our group members to observe how quickly Ritchie improves his command of the phrase by simply following my unique practice approach. Includes PDF of the phrase in Bb, Eb and C.
INTERMEDIATE & ADVANCED LEVEL.

LESSON 2: Confirmation Changes / Hyde Park Blvd w/Aebersold
In this video lesson, I’ll show you how to nail the changes on Confirmation through good voice-leading, demonstrated in my contrafact for Confirmation, titled “Hyde Park Boulevard.”

This video includes me playing along with the fantastic Jamey Aebersold Volume 6 “All Bird” featuring Kenny Barron, Ron Carter and Ben Riley. I also play an improvised solo, demonstrating what I call “first gear,” which is a very melodic way of navigating the changes.
The lesson includes a full PDF transcription of my improvised solo, as well as written out voice-leading lines over the chords for the A section of Confirmation. PDFs are for C, Bb, and Eb instruments. Intermediate and Advanced level.

LESSON 3: Lifting Weights – The Importance of Daily Practice
In this video, I read the first chapter of my book, “The Lobster Theory.” This chapter is called “Lifting Weights,” and it’s about the importance of practicing each day.

LESSON 4: Sonny Stitt Triplets
In this video lesson, I’ll show you a very cool Sonny Stitt triplet pattern that works great over a ii mi7 / V7 progression.
Features analysis of chord tones used in the lick, as well as ear training advice on hearing the lick over the chords. Includes detailed PDF practice notes plus the lick written out in 12 keys for Bb, Eb and C instruments. Intermediate Level.

LESSON 5: Listening Recommendation: Wes Montgomery – Tequila
In this video, I discuss one of my all-time favorite albums, guitarist Wes Montgomery’s 1966 Verve album, “Tequila.”
The album features Wes on guitar plus Ron Carter on bass and Grady Tate on drums. The album features spectacular playing by the group, plus beautiful string writing by Claus Ogerman. One of my all-time favorites.

aprox 27 min

Module 34


LESSON 1: Four Directions – Thinking Locally and Globally

I often mention practicing in four directions for gaining mastery over your scales, chords and intervals. In this video lesson, I explore and explain the four directions. I describe the difference between thinking “locally” and “globally” when playing a sequential pattern.

This is a major concept that will help you improve your ear and your ability to memorize songs and musical vocabulary. INTERMEDIATE & ADVANCED LEVEL. Includes PDF practice notes for Bb, Eb and C instruments.

LESSON 2: Finding the hidden Diminished and Augmented Chords in the Chromatic Scale

In this video lesson, I show you how to use the chromatic scale to diminished chords and augmented chords. Although I demonstrate these same chords in different video lessons (playing all of them on piano), this is an alternative approach, designed to help players that find it a real challenge learning the traditional way.

INTERMEDIATE LEVEL. Includes PDF practice notes.

LESSON 3: Exploring Hip Lick #37

In this video lesson, I work with lick #37 from the book “Hip Licks for Saxophone Volume 1.” This is a two-measure C7 lick that uses part of the bebop scale, contrary motion, sequence and a diatonic enclosure.

The lesson explores the lick from many different angles, taking the first half of the lick as a stand-alone lick. I also demonstrate how to create lots of rhythmic variations on the lick, as well as how to transpose the lick not only to twelve keys but how to make the first half of the lick in one key, while transposing only the second part of the lick. Whether you’re just starting out, and intermediate player, or a seasoned pro, there’s something in this lesson for all levels.
INTERMEDIATE/ADVANCED LEVEL. Includes detailed PDF practice notes for Bb, Eb and C instruments.

LESSON 4: The “Dooden” Tongue

In this video lesson, I share my technique for this popular special effect tonguing used by Getz, Bird, Pres and many of the top players from the Swing/Bop era. This one is intentionally an “all-ear” lesson, so there are no practice notes on this one.

Be sure and play along with me where indicated in the portion of the lesson where we’ll trade back and forth with the rhythm on the concert G while using the dooden tonguing effect. INTERMEDIATE & ADVANCED LEVEL.

LESSON 5: Listening Recommendation: Clifford Brown • Max Roach

This amazing 1958 album has so many classics…Daahoud, Joy Spring, Jordu, Parisian Thoroughfare…all on the same album. The beauty and symmetry of Clifford’s playing throughout this album is breathtaking.

Also, check out the interaction between Max Roach and Clifford. Harold Land also is in great form on this album. One of my favorites.

aprox 39 min