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ETUDE STUDIES

Module 01


LESSON 1: System for Creating Diminished Scales on V7b9 Chords
This lesson demonstrates my system for creating diminished scales for the V7b9 chord. If you haven’t yet learned the diminished scale, or if you learned it via the traditional “half step/ whole step” approach, this system is a total game-changer! Check out this video to master your diminished scales over V7b9 chords.

LESSON 2: Theme & Variation - Singles, Doubles & Triples
This lesson demonstrates a technique I call “Singles, Doubles, and Triples.” This is a fun way to practice your chords or scales while creating lots of rhythmic variations by varying the number of times that you play each note. If you’ve ever been bored while practicing your chord arpeggios, give this new approach a try! BEGINNING & INTERMEDIATE LEVEL.

LESSON 3: Irving Park Road (Etude Studies) - ALTO
Ideas and exercises for practicing, and getting the most out of this original jazz Etude with your ALTO sax.

LESSON 4: Irving Park Road (Etude Studies) - TENOR
Ideas and exercises for practicing, and getting the most out of this original jazz Etude with your TENOR sax.

LESSON 5: Using Major Scales to Learn Intervals
With this lesson, we’re going to take the familiar C major scale and use it to train the ear to hear ascending and descending intervals. This approach lets you hear the intervals within the scale in much greater detail.

LESSON 6: 24 Permutations for the Fingers
This video features my method for sharpening independent control of each finger. This exercise will improve your technique and keep your fingers in shape even when you’re away from the horn.

LESSON 7: Road Tips - Location of Notes within Maj7 Chords - Part 1 of 3
In this lesson, I show you how to think of one note in four different locations within a major 7th chord. For example, C = Root of Cmaj7, but C = the 3rd of Abmaj7, C = the 5th of Fmaj7, and C = the 7th of Db maj7. The importance of enharmonic notes is also discussed in the video

approx 30 min

Module 01


LESSON 1: System for Creating Diminished Scales on V7b9 Chords
This lesson demonstrates my system for creating diminished scales for the V7b9 chord. If you haven’t yet learned the diminished scale, or if you learned it via the traditional “half step/ whole step” approach, this system is a total game-changer! Check out this video to master your diminished scales over V7b9 chords.

LESSON 2: Theme & Variation - Singles, Doubles & Triples
This lesson demonstrates a technique I call “Singles, Doubles, and Triples.” This is a fun way to practice your chords or scales while creating lots of rhythmic variations by varying the number of times that you play each note. If you’ve ever been bored while practicing your chord arpeggios, give this new approach a try! BEGINNING & INTERMEDIATE LEVEL.

LESSON 3: Irving Park Road (Etude Studies) - ALTO
Ideas and exercises for practicing, and getting the most out of this original jazz Etude with your ALTO sax.

LESSON 4: Irving Park Road (Etude Studies) - TENOR
Ideas and exercises for practicing, and getting the most out of this original jazz Etude with your TENOR sax.

LESSON 5: Using Major Scales to Learn Intervals
With this lesson, we’re going to take the familiar C major scale and use it to train the ear to hear ascending and descending intervals. This approach lets you hear the intervals within the scale in much greater detail.

LESSON 6: 24 Permutations for the Fingers
This video features my method for sharpening independent control of each finger. This exercise will improve your technique and keep your fingers in shape even when you’re away from the horn.

LESSON 7: Road Tips - Location of Notes within Maj7 Chords - Part 1 of 3
In this lesson, I show you how to think of one note in four different locations within a major 7th chord. For example, C = Root of Cmaj7, but C = the 3rd of Abmaj7, C = the 5th of Fmaj7, and C = the 7th of Db maj7. The importance of enharmonic notes is also discussed in the video

approx 30 min

Module 03


LESSON 1: Enclosures
In this video, I demonstrate the enclosure, one of the most common elements of the bebop language. An enclosure consists of a targeted note preceded by upper and lower neighboring tones. Includes several practice strategies for working with the enclosures.

LESSON 2: Hip Lick #157 Tutorial - Working with Moving 7ths
In this video, I break down Hip Lick #157 into component parts and show you how the lick is built. Getz, Stitt, Coltrane, Rollins…they all use this fantastic device, which provides great harmonic color through voice-leading on the minor chord in a ii / V or ii / V / I.

LESSON 3: Halsted Street Etude - ALTO
Ideas and exercises for practicing, and getting the most out of this original jazz Etude with your ALTO sax.

LESSON 4: Halsted Street Etude - TENOR
Ideas and exercises for practicing, and getting the most out of this original jazz Etude with your TENOR sax.

LESSON 5: Road Tips - Location of Notes within Maj7 Chords - Part 3 of 3
In this lesson, I’ll show you how to think of one note in four different locations within a major 7th chord. For example, C = Root of Cmaj7, but C = the 3rd of Abmaj7, C = the 5th of Fmaj7, and C = the 7th of Db maj7. The importance of enharmonic notes is also discussed in the video.

approx 55 min

Module 03


LESSON 1: Enclosures
In this video, I demonstrate the enclosure, one of the most common elements of the bebop language. An enclosure consists of a targeted note preceded by upper and lower neighboring tones. Includes several practice strategies for working with the enclosures.

LESSON 2: Hip Lick #157 Tutorial - Working with Moving 7ths
In this video, I break down Hip Lick #157 into component parts and show you how the lick is built. Getz, Stitt, Coltrane, Rollins…they all use this fantastic device, which provides great harmonic color through voice-leading on the minor chord in a ii / V or ii / V / I.

LESSON 3: Halsted Street Etude - ALTO
Ideas and exercises for practicing, and getting the most out of this original jazz Etude with your ALTO sax.

LESSON 4: Halsted Street Etude - TENOR
Ideas and exercises for practicing, and getting the most out of this original jazz Etude with your TENOR sax.

LESSON 5: Road Tips - Location of Notes within Maj7 Chords - Part 3 of 3
In this lesson, I’ll show you how to think of one note in four different locations within a major 7th chord. For example, C = Root of Cmaj7, but C = the 3rd of Abmaj7, C = the 5th of Fmaj7, and C = the 7th of Db maj7. The importance of enharmonic notes is also discussed in the video.

approx 55 min

Module 05


LESSON 1: Hip Lick #4 (aka The Honeysuckle Rose Lick)
Hip Lick #4 (from Hip Licks for Saxophone Volume 1) is analyzed from a melodic and harmonic standpoint. Includes exercises to improve your ear through the addition of chord arpeggios added to the lick. Also features a section on using the lick to improve your high-speed chops with a technique called the “Speed Bag.” Greg also demonstrates various ways of playing the lick in different keys, as well as placing the lick in songs. INTERMEDIATE & ADVANCED LEVEL.

LESSON 2: The Three Middle D’s of the Saxophone
One of the ways that the master players customize their sound is to use alternate fingerings, adding or subtracting weight to certain notes. This approach adds incredible detail to your lines. In this video, Greg demonstrates the three fingerings for middle D and also explains the musical reasons for choosing one fingering over another. PDF notes for this lesson include fingerings and written examples of the lines played in the video. INTERMEDIATE & ADVANCED LEVEL.

LESSON 3: State Street ALTO
Greg gives a detailed analysis of “State Street” from Jazz Saxophone Etudes Volume 1. Includes tips on high speed playing, note groupings, chord substitution and moving sevenths. ADVANCED LEVEL.

LESSON 4: State Street TENORGreg gives a detailed analysis of “State Street” from Jazz Saxophone Etudes Volume 1. Includes tips on high speed playing, note groupings, chord substitution and moving sevenths. ADVANCED LEVEL.

LESSON 5: Road Tips - The F = ?Greg shows how to keep your mind focused and sharp even when you’re away from the horn. This music theory game involves thinking of the note “F” as different degrees of major scales.

aprox 45 min

Module 05


LESSON 1: Hip Lick #4 (aka The Honeysuckle Rose Lick)
Hip Lick #4 (from Hip Licks for Saxophone Volume 1) is analyzed from a melodic and harmonic standpoint. Includes exercises to improve your ear through the addition of chord arpeggios added to the lick. Also features a section on using the lick to improve your high-speed chops with a technique called the “Speed Bag.” Greg also demonstrates various ways of playing the lick in different keys, as well as placing the lick in songs. INTERMEDIATE & ADVANCED LEVEL.

LESSON 2: The Three Middle D’s of the Saxophone
One of the ways that the master players customize their sound is to use alternate fingerings, adding or subtracting weight to certain notes. This approach adds incredible detail to your lines. In this video, Greg demonstrates the three fingerings for middle D and also explains the musical reasons for choosing one fingering over another. PDF notes for this lesson include fingerings and written examples of the lines played in the video. INTERMEDIATE & ADVANCED LEVEL.

LESSON 3: State Street ALTO
Greg gives a detailed analysis of “State Street” from Jazz Saxophone Etudes Volume 1. Includes tips on high speed playing, note groupings, chord substitution and moving sevenths. ADVANCED LEVEL.

LESSON 4: State Street TENORGreg gives a detailed analysis of “State Street” from Jazz Saxophone Etudes Volume 1. Includes tips on high speed playing, note groupings, chord substitution and moving sevenths. ADVANCED LEVEL.

LESSON 5: Road Tips - The F = ?Greg shows how to keep your mind focused and sharp even when you’re away from the horn. This music theory game involves thinking of the note “F” as different degrees of major scales.

aprox 45 min

Module 07


LESSON 1: The Fork in the Road (Perpetual Cycle Pattern)
In this video lesson, Greg shows you how to keep a constant flow of notes going through the cycle while alternating between two different patterns. Great for technique, concentration, ear-training and voiceleading. Every jazz saxophonist should know these two essential patterns. INTERMEDIATE & ADVANCED LEVEL.

LESSON 2: Altissimo “G” on the Tenor Saxophone
In this video lesson, Greg shares his unique approach to teaching altissimo. Rather than the traditional method of playing overtones from low Bb to achieve the altissimo notes, Greg has a different approach, showing you how to play overtones on the neck to give you a more accurate feeling of the way that the reed needs to vibrate when playing in the altissimo range of the saxophone. PDF notes include a fingering chart for both alto and tenor to play an altissimo “G.” INTERMEDIATE & ADVANCED LEVEL.

LESSON 3: Grand Avenue Etude - Alto Version
Greg takes you through a detailed anaylsis of musical highlights in the etude “Grand Avenue,” from “Jazz Saxophone Etudes, Vol. 1.” This etude is based on chords similar to the old standard, “Out of Nowhere.” The etude is packed with examples of classic Bebop devices, including enclosures, chromatic scale usage, voiceleading and more. This lesson includes a very detailed PDF, packed with exercises and insights practicing the compositional devices used in this etude. INTERMEDIATE & ADVANCED LEVEL.

LESSON 4: Grand Avenue Etude - Tenor Version
Greg takes you through a detailed anaylsis of musical highlights in the etude “Grand Avenue,” from “Jazz Saxophone Etudes, Vol. 1.” This etude is based on chords similar to the old standard, “Out of Nowhere.” The etude is packed with examples of classic Bebop devices, including chromatic scale usage, voiceleading and more. This lesson includes a very detailed PDF, packed with exercises and insights practicing the compositional devices used in this etude. INTERMEDIATE & ADVANCED LEVEL.

LESSON 5: Road Tips - The Eb = ?
Greg shows how to keep your mind focused and sharp even when you’re away from the horn. This music theory game involves thinking of the note “Eb” as different degrees of major scales.

aprox 35 min

Module 07


LESSON 1: The Fork in the Road (Perpetual Cycle Pattern)
In this video lesson, Greg shows you how to keep a constant flow of notes going through the cycle while alternating between two different patterns. Great for technique, concentration, ear-training and voiceleading. Every jazz saxophonist should know these two essential patterns. INTERMEDIATE & ADVANCED LEVEL.

LESSON 2: Altissimo “G” on the Tenor Saxophone
In this video lesson, Greg shares his unique approach to teaching altissimo. Rather than the traditional method of playing overtones from low Bb to achieve the altissimo notes, Greg has a different approach, showing you how to play overtones on the neck to give you a more accurate feeling of the way that the reed needs to vibrate when playing in the altissimo range of the saxophone. PDF notes include a fingering chart for both alto and tenor to play an altissimo “G.” INTERMEDIATE & ADVANCED LEVEL.

LESSON 3: Grand Avenue Etude - Alto Version
Greg takes you through a detailed anaylsis of musical highlights in the etude “Grand Avenue,” from “Jazz Saxophone Etudes, Vol. 1.” This etude is based on chords similar to the old standard, “Out of Nowhere.” The etude is packed with examples of classic Bebop devices, including enclosures, chromatic scale usage, voiceleading and more. This lesson includes a very detailed PDF, packed with exercises and insights practicing the compositional devices used in this etude. INTERMEDIATE & ADVANCED LEVEL.

LESSON 4: Grand Avenue Etude - Tenor Version
Greg takes you through a detailed anaylsis of musical highlights in the etude “Grand Avenue,” from “Jazz Saxophone Etudes, Vol. 1.” This etude is based on chords similar to the old standard, “Out of Nowhere.” The etude is packed with examples of classic Bebop devices, including chromatic scale usage, voiceleading and more. This lesson includes a very detailed PDF, packed with exercises and insights practicing the compositional devices used in this etude. INTERMEDIATE & ADVANCED LEVEL.

LESSON 5: Road Tips - The Eb = ?
Greg shows how to keep your mind focused and sharp even when you’re away from the horn. This music theory game involves thinking of the note “Eb” as different degrees of major scales.

aprox 35 min

Module 11


LESSON 1: Minor 7th Intervals - Four Directions
In this video, I’ll take you through my system for practcing the minor 7th intervals in all four directions. Great for ear training, breathing and control of the horn. INTERMEDIATE & ADVANCED LEVEL.

LESSON 2: The Hip Lick #143
In this video, we’ll work with Hip Licks #143 (from the book Hip Licks for Saxophone, Volume 1). This is a dminished lick which brings out the sound of some of the most powerful notes in the the chord; the major seventh and the flatted thirteenth. Includes harmonic analysis of the lick as well as a performance of the lick in 12 keys in the cycle. ADVANCED LEVEL.

LESSON 3: Rush Street Etude - Alto Version
In this video lesson, we’ll explore the etude “Rush Street” from my book, Jazz Saxophone Etudes, Volume 1. This is based on chords similar to “Satin Doll.” Lot’s a great tips in this video, including strategies for simplifying complicated technical passages by changing triplets to eighth notes. There is also some discussion of use of the bis key, side key and 1&1 for Bb. Also includes some demonstration of lower neighboring tones and use of sequence. INTERMEDIATE & ADVANCED LEVEL.

LESSSON 4: Rush Street Etude - Tenor Version
In this video lesson, we’ll explore the etude “Rush Street” from my book, Jazz Saxophone Etudes, Volume 1. This is based on chords similar to “Satin Doll.” Lot’s a great tips in this video, including strategies for simplifying complicated technical passages, some discussion of use of the bis key, and use of sequence. Also includes discussion of voiceleading. INTERMEDIATE & ADVANCED LEVEL.

LESSON 5: Road Tips - The F# = ?
Greg shows how to keep your mind focused and sharp even when you’re away from the horn. This music theory game involves thinking of the note “F#” as different degrees of major scales. While the note “Gb” also can be used in some scales, “F#” is a better choice for this music theory game, because it easily fits with all of the standard key signatures of the major scale system.

aprox 50 min

Module 11


LESSON 1: Minor 7th Intervals - Four Directions
In this video, I’ll take you through my system for practcing the minor 7th intervals in all four directions. Great for ear training, breathing and control of the horn. INTERMEDIATE & ADVANCED LEVEL.

LESSON 2: The Hip Lick #143
In this video, we’ll work with Hip Licks #143 (from the book Hip Licks for Saxophone, Volume 1). This is a dminished lick which brings out the sound of some of the most powerful notes in the the chord; the major seventh and the flatted thirteenth. Includes harmonic analysis of the lick as well as a performance of the lick in 12 keys in the cycle. ADVANCED LEVEL.

LESSON 3: Rush Street Etude - Alto Version
In this video lesson, we’ll explore the etude “Rush Street” from my book, Jazz Saxophone Etudes, Volume 1. This is based on chords similar to “Satin Doll.” Lot’s a great tips in this video, including strategies for simplifying complicated technical passages by changing triplets to eighth notes. There is also some discussion of use of the bis key, side key and 1&1 for Bb. Also includes some demonstration of lower neighboring tones and use of sequence. INTERMEDIATE & ADVANCED LEVEL.

LESSSON 4: Rush Street Etude - Tenor Version
In this video lesson, we’ll explore the etude “Rush Street” from my book, Jazz Saxophone Etudes, Volume 1. This is based on chords similar to “Satin Doll.” Lot’s a great tips in this video, including strategies for simplifying complicated technical passages, some discussion of use of the bis key, and use of sequence. Also includes discussion of voiceleading. INTERMEDIATE & ADVANCED LEVEL.

LESSON 5: Road Tips - The F# = ?
Greg shows how to keep your mind focused and sharp even when you’re away from the horn. This music theory game involves thinking of the note “F#” as different degrees of major scales. While the note “Gb” also can be used in some scales, “F#” is a better choice for this music theory game, because it easily fits with all of the standard key signatures of the major scale system.

aprox 50 min

Module 33


LESSON 1: Voice Leading 101 - Part 1 of 2
In this two-part video lesson, I take you through the essentials of voice leading, introducing you to the concept from the keyboard, making it very easy for your ear to follow along.
I cover four essential voice-leading moves over a ii / V / I. Incorporating these moves into your playing will make your playing sound smooth and connected. Every pro player uses these moves. I use a special vocal sound patch on the keyboard, which really makes it easy to hear the voice leading lines in the demonstration.
I break the lesson down to that even non-pianists will be able to get the essence of the concept and put it on their horns. Includes PDF practice notes for Bb, Eb and C instruments. Intermediate Level.

LESSON 2: Voice Leading 101 - Part 2 of 2
This video lesson continues where part 1 left off, showing you how to take the individual voice leading lines and combine them to form melodies.
I include strategies to create two-part, three-part and four-part melodies based on the voice leading lines. PDF practice materials include very detailed notes for Bb, Eb and C instruments. Intermediate & Advanced Level.

LESSON 3: Chicago Ave (Satin Doll) - Melodic Embellishment
In this video lesson, I demonstrate the concept of melodic embellishment, using my composition “Chicago Avenue” from “Jazz Phrasing for Saxophone, Volume 1.” This is a medium tempo swing piece based on chords similar to “Satin Doll.” In the lesson, I’ll show you how I embellish the original melody of Chicago Avenue by connecting new notes to the original melody.
I demonstrate approaches using arpeggios, fills and melodic variations as I take you through the piece. This is an essential skill for all improvisers. INTERMEDIATE LEVEL, Includes PDF practice notes for Bb, Eb and C instruments.

LESSON 4: Listening Recommendation: The Hi Lo's: And All That Jazz
Recorded in 1958, this masterpiece by the Hi-Lo’s is one of my favorite vocal jazz albums. The Hi-Lo’s, comprised of four male vocalists: Clark Burroughs, Gene Puerling, Bob Strasen and Bob Morse.
They were one of the first (and best IMHO) jazz vocal groups to incorporate modern jazz harmony, complete with chord clusters including b9/#9, #11, etc. They had impeccable timing and intonation. This album teams them up with one of my favorite arrangers, the great Mary Paich, with an all-star cast of jazz players including: Jack Sheldon, Mel Lewis, Herb Geller and Bud Shank. Listening to their beautiful harmonizations is a lesson in voice leading and great for ear training. Also, they just have so much fun when they sing, it’s always a pleasant listening experience. Some of their stuff can range from ultra sophisticated to a bit tongue-in-cheek corny, but with a sort of wink….they’re just having fun with all of it. You’ll hear that on the tune “Lady in Red.” This is a long time favorite album for me. I hope that you enjoy it.

aprox 35 min

Module 31


LESSON 1: Ogden Avenue (Take the A Train) - Melodic Embellishment
In this video lesson, I demonstrate the concept of melodic embellishment, using my composition “Ogden Avenue” from “Jazz Phrasing for Saxophone, Volume 1.”
This is a medium tempo swing piece based on chords similar to “Take the A Train.” In the lesson, I’ll show you how I embellish the original melody by connecting ideas with additional notes or sequences. This is an essential skill for all improvisers. INTERMEDIATE LEVEL, Includes PDF notes for Bb, Eb and C instruments.

LESSON 2: Cake, Frosting & Sprinkles - Part 1 of 3 - Lower & Upper Neighboring Tones on Triads
This is part one of a three part in-depth lesson on the usage of lower and upper neighboring tones.
I use the fun analogy of cake, frosting, and sprinkles to show you how to apply lower and upper neighboring tones on major and minor chords. The upper and lower neighboring tones are an essential part of the musical language.
Once you’ve learned how to apply these concepts, your playing will have a new level of fluency and polish. Includes extensive practice PDF notes for each of the three videos. Includes parts of Bb, Eb and C instruments. INTERMEDIATE & ADVANCED LEVEL.

LESSON 3: Cake, Frosting & Sprinkles - Part 2 of 3 - Lower & Upper Neighboring Tones on Triads
This is part two of a three part in-depth lesson on the usage of lower and upper neighboring tones. I use the fun analogy of cake, frosting, and sprinkles to show you how to apply lower and upper neighboring tones on major and minor chords.
The upper and lower neighboring tones are an essential part of the musical language. Once you’ve learned how to apply these concepts, your playing will have a new level of fluency and polish.
Includes extensive practice PDF notes for each of the three videos. Includes parts of Bb, Eb and C instruments. INTERMEDIATE & ADVANCED LEVEL. Part two focuses specifically on the usage of the upper neighboring tones.

LESSON 4: Cake, Frosting & Sprinkles - Part 3 of 3 - Lower & Upper Neighboring Tones on Triads
This is part three of a three part in-depth lesson on the usage of lower and upper neighboring tones. I use the fun analogy of cake, frosting, and sprinkles to show you how to apply lower and upper neighboring tones on major and minor chords.
The upper and lower neighboring tones are an essential part of the musical language. Once you’ve learned how to apply these concepts, your playing will have a new level of fluency and polish. Includes extensive practice PDF notes for each of the three videos.
Includes parts of Bb, Eb and C instruments. INTERMEDIATE & ADVANCED LEVEL. Part three focuses on combining the lower and upper neighboring tones, how to apply both upper and lower neighboring tones to minor chords, and includes extensive playing examples.

LESSON 5: Listening Recommendation: Count Basie - E=MC2
One of my all-time favorite Count Basie albums, E=MC2. Neal Hefti arrangements. The band is just smokin’ on this one. I love the close miking, as well. Feels like we’re in the same room with the band. The Basie band conveys such power, but it’s never forced. Beautiful buoyancy to the feel. Great solos. A great addition to any serious jazz collection.

aprox 35 min

Module 01


LESSON 1: System for Creating Diminished Scales on V7b9 Chords
This lesson demonstrates my system for creating diminished scales for the V7b9 chord. If you haven’t yet learned the diminished scale, or if you learned it via the traditional “half step/ whole step” approach, this system is a total game-changer! Check out this video to master your diminished scales over V7b9 chords.

LESSON 2: Theme & Variation - Singles, Doubles & Triples
This lesson demonstrates a technique I call “Singles, Doubles, and Triples.” This is a fun way to practice your chords or scales while creating lots of rhythmic variations by varying the number of times that you play each note. If you’ve ever been bored while practicing your chord arpeggios, give this new approach a try! BEGINNING & INTERMEDIATE LEVEL.

LESSON 3: Irving Park Road (Etude Studies) - ALTO
Ideas and exercises for practicing, and getting the most out of this original jazz Etude with your ALTO sax.

LESSON 4: Irving Park Road (Etude Studies) - TENOR
Ideas and exercises for practicing, and getting the most out of this original jazz Etude with your TENOR sax.

LESSON 5: Using Major Scales to Learn Intervals
With this lesson, we’re going to take the familiar C major scale and use it to train the ear to hear ascending and descending intervals. This approach lets you hear the intervals within the scale in much greater detail.

LESSON 6: 24 Permutations for the Fingers
This video features my method for sharpening independent control of each finger. This exercise will improve your technique and keep your fingers in shape even when you’re away from the horn.

LESSON 7: Road Tips - Location of Notes within Maj7 Chords - Part 1 of 3
In this lesson, I show you how to think of one note in four different locations within a major 7th chord. For example, C = Root of Cmaj7, but C = the 3rd of Abmaj7, C = the 5th of Fmaj7, and C = the 7th of Db maj7. The importance of enharmonic notes is also discussed in the video

approx 30 min

Module 01


LESSON 1: System for Creating Diminished Scales on V7b9 Chords
This lesson demonstrates my system for creating diminished scales for the V7b9 chord. If you haven’t yet learned the diminished scale, or if you learned it via the traditional “half step/ whole step” approach, this system is a total game-changer! Check out this video to master your diminished scales over V7b9 chords.

LESSON 2: Theme & Variation - Singles, Doubles & Triples
This lesson demonstrates a technique I call “Singles, Doubles, and Triples.” This is a fun way to practice your chords or scales while creating lots of rhythmic variations by varying the number of times that you play each note. If you’ve ever been bored while practicing your chord arpeggios, give this new approach a try! BEGINNING & INTERMEDIATE LEVEL.

LESSON 3: Irving Park Road (Etude Studies) - ALTO
Ideas and exercises for practicing, and getting the most out of this original jazz Etude with your ALTO sax.

LESSON 4: Irving Park Road (Etude Studies) - TENOR
Ideas and exercises for practicing, and getting the most out of this original jazz Etude with your TENOR sax.

LESSON 5: Using Major Scales to Learn Intervals
With this lesson, we’re going to take the familiar C major scale and use it to train the ear to hear ascending and descending intervals. This approach lets you hear the intervals within the scale in much greater detail.

LESSON 6: 24 Permutations for the Fingers
This video features my method for sharpening independent control of each finger. This exercise will improve your technique and keep your fingers in shape even when you’re away from the horn.

LESSON 7: Road Tips - Location of Notes within Maj7 Chords - Part 1 of 3
In this lesson, I show you how to think of one note in four different locations within a major 7th chord. For example, C = Root of Cmaj7, but C = the 3rd of Abmaj7, C = the 5th of Fmaj7, and C = the 7th of Db maj7. The importance of enharmonic notes is also discussed in the video

approx 30 min

Module 03


LESSON 1: Enclosures
In this video, I demonstrate the enclosure, one of the most common elements of the bebop language. An enclosure consists of a targeted note preceded by upper and lower neighboring tones. Includes several practice strategies for working with the enclosures.

LESSON 2: Hip Lick #157 Tutorial - Working with Moving 7ths
In this video, I break down Hip Lick #157 into component parts and show you how the lick is built. Getz, Stitt, Coltrane, Rollins…they all use this fantastic device, which provides great harmonic color through voice-leading on the minor chord in a ii / V or ii / V / I.

LESSON 3: Halsted Street Etude - ALTO
Ideas and exercises for practicing, and getting the most out of this original jazz Etude with your ALTO sax.

LESSON 4: Halsted Street Etude - TENOR
Ideas and exercises for practicing, and getting the most out of this original jazz Etude with your TENOR sax.

LESSON 5: Road Tips - Location of Notes within Maj7 Chords - Part 3 of 3
In this lesson, I’ll show you how to think of one note in four different locations within a major 7th chord. For example, C = Root of Cmaj7, but C = the 3rd of Abmaj7, C = the 5th of Fmaj7, and C = the 7th of Db maj7. The importance of enharmonic notes is also discussed in the video.

approx 55 min

Module 03


LESSON 1: Enclosures
In this video, I demonstrate the enclosure, one of the most common elements of the bebop language. An enclosure consists of a targeted note preceded by upper and lower neighboring tones. Includes several practice strategies for working with the enclosures.

LESSON 2: Hip Lick #157 Tutorial - Working with Moving 7ths
In this video, I break down Hip Lick #157 into component parts and show you how the lick is built. Getz, Stitt, Coltrane, Rollins…they all use this fantastic device, which provides great harmonic color through voice-leading on the minor chord in a ii / V or ii / V / I.

LESSON 3: Halsted Street Etude - ALTO
Ideas and exercises for practicing, and getting the most out of this original jazz Etude with your ALTO sax.

LESSON 4: Halsted Street Etude - TENOR
Ideas and exercises for practicing, and getting the most out of this original jazz Etude with your TENOR sax.

LESSON 5: Road Tips - Location of Notes within Maj7 Chords - Part 3 of 3
In this lesson, I’ll show you how to think of one note in four different locations within a major 7th chord. For example, C = Root of Cmaj7, but C = the 3rd of Abmaj7, C = the 5th of Fmaj7, and C = the 7th of Db maj7. The importance of enharmonic notes is also discussed in the video.

approx 55 min

Module 05


LESSON 1: Hip Lick #4 (aka The Honeysuckle Rose Lick)
Hip Lick #4 (from Hip Licks for Saxophone Volume 1) is analyzed from a melodic and harmonic standpoint. Includes exercises to improve your ear through the addition of chord arpeggios added to the lick. Also features a section on using the lick to improve your high-speed chops with a technique called the “Speed Bag.” Greg also demonstrates various ways of playing the lick in different keys, as well as placing the lick in songs. INTERMEDIATE & ADVANCED LEVEL.

LESSON 2: The Three Middle D’s of the Saxophone
One of the ways that the master players customize their sound is to use alternate fingerings, adding or subtracting weight to certain notes. This approach adds incredible detail to your lines. In this video, Greg demonstrates the three fingerings for middle D and also explains the musical reasons for choosing one fingering over another. PDF notes for this lesson include fingerings and written examples of the lines played in the video. INTERMEDIATE & ADVANCED LEVEL.

LESSON 3: State Street ALTO
Greg gives a detailed analysis of “State Street” from Jazz Saxophone Etudes Volume 1. Includes tips on high speed playing, note groupings, chord substitution and moving sevenths. ADVANCED LEVEL.

LESSON 4: State Street TENORGreg gives a detailed analysis of “State Street” from Jazz Saxophone Etudes Volume 1. Includes tips on high speed playing, note groupings, chord substitution and moving sevenths. ADVANCED LEVEL.

LESSON 5: Road Tips - The F = ?Greg shows how to keep your mind focused and sharp even when you’re away from the horn. This music theory game involves thinking of the note “F” as different degrees of major scales.

aprox 45 min

Module 05


LESSON 1: Hip Lick #4 (aka The Honeysuckle Rose Lick)
Hip Lick #4 (from Hip Licks for Saxophone Volume 1) is analyzed from a melodic and harmonic standpoint. Includes exercises to improve your ear through the addition of chord arpeggios added to the lick. Also features a section on using the lick to improve your high-speed chops with a technique called the “Speed Bag.” Greg also demonstrates various ways of playing the lick in different keys, as well as placing the lick in songs. INTERMEDIATE & ADVANCED LEVEL.

LESSON 2: The Three Middle D’s of the Saxophone
One of the ways that the master players customize their sound is to use alternate fingerings, adding or subtracting weight to certain notes. This approach adds incredible detail to your lines. In this video, Greg demonstrates the three fingerings for middle D and also explains the musical reasons for choosing one fingering over another. PDF notes for this lesson include fingerings and written examples of the lines played in the video. INTERMEDIATE & ADVANCED LEVEL.

LESSON 3: State Street ALTO
Greg gives a detailed analysis of “State Street” from Jazz Saxophone Etudes Volume 1. Includes tips on high speed playing, note groupings, chord substitution and moving sevenths. ADVANCED LEVEL.

LESSON 4: State Street TENORGreg gives a detailed analysis of “State Street” from Jazz Saxophone Etudes Volume 1. Includes tips on high speed playing, note groupings, chord substitution and moving sevenths. ADVANCED LEVEL.

LESSON 5: Road Tips - The F = ?Greg shows how to keep your mind focused and sharp even when you’re away from the horn. This music theory game involves thinking of the note “F” as different degrees of major scales.

aprox 45 min

Module 07


LESSON 1: The Fork in the Road (Perpetual Cycle Pattern)
In this video lesson, Greg shows you how to keep a constant flow of notes going through the cycle while alternating between two different patterns. Great for technique, concentration, ear-training and voiceleading. Every jazz saxophonist should know these two essential patterns. INTERMEDIATE & ADVANCED LEVEL.

LESSON 2: Altissimo “G” on the Tenor Saxophone
In this video lesson, Greg shares his unique approach to teaching altissimo. Rather than the traditional method of playing overtones from low Bb to achieve the altissimo notes, Greg has a different approach, showing you how to play overtones on the neck to give you a more accurate feeling of the way that the reed needs to vibrate when playing in the altissimo range of the saxophone. PDF notes include a fingering chart for both alto and tenor to play an altissimo “G.” INTERMEDIATE & ADVANCED LEVEL.

LESSON 3: Grand Avenue Etude - Alto Version
Greg takes you through a detailed anaylsis of musical highlights in the etude “Grand Avenue,” from “Jazz Saxophone Etudes, Vol. 1.” This etude is based on chords similar to the old standard, “Out of Nowhere.” The etude is packed with examples of classic Bebop devices, including enclosures, chromatic scale usage, voiceleading and more. This lesson includes a very detailed PDF, packed with exercises and insights practicing the compositional devices used in this etude. INTERMEDIATE & ADVANCED LEVEL.

LESSON 4: Grand Avenue Etude - Tenor Version
Greg takes you through a detailed anaylsis of musical highlights in the etude “Grand Avenue,” from “Jazz Saxophone Etudes, Vol. 1.” This etude is based on chords similar to the old standard, “Out of Nowhere.” The etude is packed with examples of classic Bebop devices, including chromatic scale usage, voiceleading and more. This lesson includes a very detailed PDF, packed with exercises and insights practicing the compositional devices used in this etude. INTERMEDIATE & ADVANCED LEVEL.

LESSON 5: Road Tips - The Eb = ?
Greg shows how to keep your mind focused and sharp even when you’re away from the horn. This music theory game involves thinking of the note “Eb” as different degrees of major scales.

aprox 35 min

Module 07


LESSON 1: The Fork in the Road (Perpetual Cycle Pattern)
In this video lesson, Greg shows you how to keep a constant flow of notes going through the cycle while alternating between two different patterns. Great for technique, concentration, ear-training and voiceleading. Every jazz saxophonist should know these two essential patterns. INTERMEDIATE & ADVANCED LEVEL.

LESSON 2: Altissimo “G” on the Tenor Saxophone
In this video lesson, Greg shares his unique approach to teaching altissimo. Rather than the traditional method of playing overtones from low Bb to achieve the altissimo notes, Greg has a different approach, showing you how to play overtones on the neck to give you a more accurate feeling of the way that the reed needs to vibrate when playing in the altissimo range of the saxophone. PDF notes include a fingering chart for both alto and tenor to play an altissimo “G.” INTERMEDIATE & ADVANCED LEVEL.

LESSON 3: Grand Avenue Etude - Alto Version
Greg takes you through a detailed anaylsis of musical highlights in the etude “Grand Avenue,” from “Jazz Saxophone Etudes, Vol. 1.” This etude is based on chords similar to the old standard, “Out of Nowhere.” The etude is packed with examples of classic Bebop devices, including enclosures, chromatic scale usage, voiceleading and more. This lesson includes a very detailed PDF, packed with exercises and insights practicing the compositional devices used in this etude. INTERMEDIATE & ADVANCED LEVEL.

LESSON 4: Grand Avenue Etude - Tenor Version
Greg takes you through a detailed anaylsis of musical highlights in the etude “Grand Avenue,” from “Jazz Saxophone Etudes, Vol. 1.” This etude is based on chords similar to the old standard, “Out of Nowhere.” The etude is packed with examples of classic Bebop devices, including chromatic scale usage, voiceleading and more. This lesson includes a very detailed PDF, packed with exercises and insights practicing the compositional devices used in this etude. INTERMEDIATE & ADVANCED LEVEL.

LESSON 5: Road Tips - The Eb = ?
Greg shows how to keep your mind focused and sharp even when you’re away from the horn. This music theory game involves thinking of the note “Eb” as different degrees of major scales.

aprox 35 min

Module 11


LESSON 1: Minor 7th Intervals - Four Directions
In this video, I’ll take you through my system for practcing the minor 7th intervals in all four directions. Great for ear training, breathing and control of the horn. INTERMEDIATE & ADVANCED LEVEL.

LESSON 2: The Hip Lick #143
In this video, we’ll work with Hip Licks #143 (from the book Hip Licks for Saxophone, Volume 1). This is a dminished lick which brings out the sound of some of the most powerful notes in the the chord; the major seventh and the flatted thirteenth. Includes harmonic analysis of the lick as well as a performance of the lick in 12 keys in the cycle. ADVANCED LEVEL.

LESSON 3: Rush Street Etude - Alto Version
In this video lesson, we’ll explore the etude “Rush Street” from my book, Jazz Saxophone Etudes, Volume 1. This is based on chords similar to “Satin Doll.” Lot’s a great tips in this video, including strategies for simplifying complicated technical passages by changing triplets to eighth notes. There is also some discussion of use of the bis key, side key and 1&1 for Bb. Also includes some demonstration of lower neighboring tones and use of sequence. INTERMEDIATE & ADVANCED LEVEL.

LESSSON 4: Rush Street Etude - Tenor Version
In this video lesson, we’ll explore the etude “Rush Street” from my book, Jazz Saxophone Etudes, Volume 1. This is based on chords similar to “Satin Doll.” Lot’s a great tips in this video, including strategies for simplifying complicated technical passages, some discussion of use of the bis key, and use of sequence. Also includes discussion of voiceleading. INTERMEDIATE & ADVANCED LEVEL.

LESSON 5: Road Tips - The F# = ?
Greg shows how to keep your mind focused and sharp even when you’re away from the horn. This music theory game involves thinking of the note “F#” as different degrees of major scales. While the note “Gb” also can be used in some scales, “F#” is a better choice for this music theory game, because it easily fits with all of the standard key signatures of the major scale system.

aprox 50 min

Module 11


LESSON 1: Minor 7th Intervals - Four Directions
In this video, I’ll take you through my system for practcing the minor 7th intervals in all four directions. Great for ear training, breathing and control of the horn. INTERMEDIATE & ADVANCED LEVEL.

LESSON 2: The Hip Lick #143
In this video, we’ll work with Hip Licks #143 (from the book Hip Licks for Saxophone, Volume 1). This is a dminished lick which brings out the sound of some of the most powerful notes in the the chord; the major seventh and the flatted thirteenth. Includes harmonic analysis of the lick as well as a performance of the lick in 12 keys in the cycle. ADVANCED LEVEL.

LESSON 3: Rush Street Etude - Alto Version
In this video lesson, we’ll explore the etude “Rush Street” from my book, Jazz Saxophone Etudes, Volume 1. This is based on chords similar to “Satin Doll.” Lot’s a great tips in this video, including strategies for simplifying complicated technical passages by changing triplets to eighth notes. There is also some discussion of use of the bis key, side key and 1&1 for Bb. Also includes some demonstration of lower neighboring tones and use of sequence. INTERMEDIATE & ADVANCED LEVEL.

LESSSON 4: Rush Street Etude - Tenor Version
In this video lesson, we’ll explore the etude “Rush Street” from my book, Jazz Saxophone Etudes, Volume 1. This is based on chords similar to “Satin Doll.” Lot’s a great tips in this video, including strategies for simplifying complicated technical passages, some discussion of use of the bis key, and use of sequence. Also includes discussion of voiceleading. INTERMEDIATE & ADVANCED LEVEL.

LESSON 5: Road Tips - The F# = ?
Greg shows how to keep your mind focused and sharp even when you’re away from the horn. This music theory game involves thinking of the note “F#” as different degrees of major scales. While the note “Gb” also can be used in some scales, “F#” is a better choice for this music theory game, because it easily fits with all of the standard key signatures of the major scale system.

aprox 50 min

Module 33


LESSON 1: Voice Leading 101 - Part 1 of 2
In this two-part video lesson, I take you through the essentials of voice leading, introducing you to the concept from the keyboard, making it very easy for your ear to follow along.
I cover four essential voice-leading moves over a ii / V / I. Incorporating these moves into your playing will make your playing sound smooth and connected. Every pro player uses these moves. I use a special vocal sound patch on the keyboard, which really makes it easy to hear the voice leading lines in the demonstration.
I break the lesson down to that even non-pianists will be able to get the essence of the concept and put it on their horns. Includes PDF practice notes for Bb, Eb and C instruments. Intermediate Level.

LESSON 2: Voice Leading 101 - Part 2 of 2
This video lesson continues where part 1 left off, showing you how to take the individual voice leading lines and combine them to form melodies.
I include strategies to create two-part, three-part and four-part melodies based on the voice leading lines. PDF practice materials include very detailed notes for Bb, Eb and C instruments. Intermediate & Advanced Level.

LESSON 3: Chicago Ave (Satin Doll) - Melodic Embellishment
In this video lesson, I demonstrate the concept of melodic embellishment, using my composition “Chicago Avenue” from “Jazz Phrasing for Saxophone, Volume 1.” This is a medium tempo swing piece based on chords similar to “Satin Doll.” In the lesson, I’ll show you how I embellish the original melody of Chicago Avenue by connecting new notes to the original melody.
I demonstrate approaches using arpeggios, fills and melodic variations as I take you through the piece. This is an essential skill for all improvisers. INTERMEDIATE LEVEL, Includes PDF practice notes for Bb, Eb and C instruments.

LESSON 4: Listening Recommendation: The Hi Lo's: And All That Jazz
Recorded in 1958, this masterpiece by the Hi-Lo’s is one of my favorite vocal jazz albums. The Hi-Lo’s, comprised of four male vocalists: Clark Burroughs, Gene Puerling, Bob Strasen and Bob Morse.
They were one of the first (and best IMHO) jazz vocal groups to incorporate modern jazz harmony, complete with chord clusters including b9/#9, #11, etc. They had impeccable timing and intonation. This album teams them up with one of my favorite arrangers, the great Mary Paich, with an all-star cast of jazz players including: Jack Sheldon, Mel Lewis, Herb Geller and Bud Shank. Listening to their beautiful harmonizations is a lesson in voice leading and great for ear training. Also, they just have so much fun when they sing, it’s always a pleasant listening experience. Some of their stuff can range from ultra sophisticated to a bit tongue-in-cheek corny, but with a sort of wink….they’re just having fun with all of it. You’ll hear that on the tune “Lady in Red.” This is a long time favorite album for me. I hope that you enjoy it.

aprox 35 min

Module 31


LESSON 1: Ogden Avenue (Take the A Train) - Melodic Embellishment
In this video lesson, I demonstrate the concept of melodic embellishment, using my composition “Ogden Avenue” from “Jazz Phrasing for Saxophone, Volume 1.”
This is a medium tempo swing piece based on chords similar to “Take the A Train.” In the lesson, I’ll show you how I embellish the original melody by connecting ideas with additional notes or sequences. This is an essential skill for all improvisers. INTERMEDIATE LEVEL, Includes PDF notes for Bb, Eb and C instruments.

LESSON 2: Cake, Frosting & Sprinkles - Part 1 of 3 - Lower & Upper Neighboring Tones on Triads
This is part one of a three part in-depth lesson on the usage of lower and upper neighboring tones.
I use the fun analogy of cake, frosting, and sprinkles to show you how to apply lower and upper neighboring tones on major and minor chords. The upper and lower neighboring tones are an essential part of the musical language.
Once you’ve learned how to apply these concepts, your playing will have a new level of fluency and polish. Includes extensive practice PDF notes for each of the three videos. Includes parts of Bb, Eb and C instruments. INTERMEDIATE & ADVANCED LEVEL.

LESSON 3: Cake, Frosting & Sprinkles - Part 2 of 3 - Lower & Upper Neighboring Tones on Triads
This is part two of a three part in-depth lesson on the usage of lower and upper neighboring tones. I use the fun analogy of cake, frosting, and sprinkles to show you how to apply lower and upper neighboring tones on major and minor chords.
The upper and lower neighboring tones are an essential part of the musical language. Once you’ve learned how to apply these concepts, your playing will have a new level of fluency and polish.
Includes extensive practice PDF notes for each of the three videos. Includes parts of Bb, Eb and C instruments. INTERMEDIATE & ADVANCED LEVEL. Part two focuses specifically on the usage of the upper neighboring tones.

LESSON 4: Cake, Frosting & Sprinkles - Part 3 of 3 - Lower & Upper Neighboring Tones on Triads
This is part three of a three part in-depth lesson on the usage of lower and upper neighboring tones. I use the fun analogy of cake, frosting, and sprinkles to show you how to apply lower and upper neighboring tones on major and minor chords.
The upper and lower neighboring tones are an essential part of the musical language. Once you’ve learned how to apply these concepts, your playing will have a new level of fluency and polish. Includes extensive practice PDF notes for each of the three videos.
Includes parts of Bb, Eb and C instruments. INTERMEDIATE & ADVANCED LEVEL. Part three focuses on combining the lower and upper neighboring tones, how to apply both upper and lower neighboring tones to minor chords, and includes extensive playing examples.

LESSON 5: Listening Recommendation: Count Basie - E=MC2
One of my all-time favorite Count Basie albums, E=MC2. Neal Hefti arrangements. The band is just smokin’ on this one. I love the close miking, as well. Feels like we’re in the same room with the band. The Basie band conveys such power, but it’s never forced. Beautiful buoyancy to the feel. Great solos. A great addition to any serious jazz collection.

aprox 35 min