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Module 19


LESSON: Blue Bossa Solo - Part 1 of 4 - Mind Transcription
This is part one of a four-part video series in which I call my “Mind Transcription” series. In this series, I share my ideas and strategies for soloing over the chords of popular standards and jazz tunes.For this lesson, I’ve chosen the changes for Blue Bossa.

In part one of this four-part lesson, I comp the chords at the piano, discuss the importance of hearing the chords at the piano, explore and explain voice-leading strategies from both the 7th and the 5th, and start the analysis of my original solo over the changes. I also discuss my thoughts about playing the roots of the chords over your solos.

PDF practice materials to be used with all four parts of this lesson are attached to this video lesson. Materials include:

1. Three voice-leading example sheets
2. The solo I created on the changes of Blue Bossa
3. MP3 play-along tracks (short demo version and long rhythm-section only version)

Includes PDFs for C, Bb, and Eb instruments.


aprox 10 min

Module 19


LESSON: Blue Bossa Solo - Part 1 of 4 - Mind Transcription
This is part one of a four-part video series in which I call my “Mind Transcription” series. In this series, I share my ideas and strategies for soloing over the chords of popular standards and jazz tunes.For this lesson, I’ve chosen the changes for Blue Bossa.

In part one of this four-part lesson, I comp the chords at the piano, discuss the importance of hearing the chords at the piano, explore and explain voice-leading strategies from both the 7th and the 5th, and start the analysis of my original solo over the changes. I also discuss my thoughts about playing the roots of the chords over your solos.

PDF practice materials to be used with all four parts of this lesson are attached to this video lesson. Materials include:

1. Three voice-leading example sheets
2. The solo I created on the changes of Blue Bossa
3. MP3 play-along tracks (short demo version and long rhythm-section only version)

Includes PDFs for C, Bb, and Eb instruments.


aprox 10 min

Module 19


LESSON: Blue Bossa Solo - Part 1 of 4 - Mind Transcription
This is part one of a four-part video series in which I call my “Mind Transcription” series. In this series, I share my ideas and strategies for soloing over the chords of popular standards and jazz tunes.For this lesson, I’ve chosen the changes for Blue Bossa.

In part one of this four-part lesson, I comp the chords at the piano, discuss the importance of hearing the chords at the piano, explore and explain voice-leading strategies from both the 7th and the 5th, and start the analysis of my original solo over the changes. I also discuss my thoughts about playing the roots of the chords over your solos.

PDF practice materials to be used with all four parts of this lesson are attached to this video lesson. Materials include:

1. Three voice-leading example sheets
2. The solo I created on the changes of Blue Bossa
3. MP3 play-along tracks (short demo version and long rhythm-section only version)

Includes PDFs for C, Bb, and Eb instruments.


aprox 10 min

Module 19


LESSON: Blue Bossa Solo - Part 1 of 4 - Mind Transcription
This is part one of a four-part video series in which I call my “Mind Transcription” series. In this series, I share my ideas and strategies for soloing over the chords of popular standards and jazz tunes.For this lesson, I’ve chosen the changes for Blue Bossa.

In part one of this four-part lesson, I comp the chords at the piano, discuss the importance of hearing the chords at the piano, explore and explain voice-leading strategies from both the 7th and the 5th, and start the analysis of my original solo over the changes. I also discuss my thoughts about playing the roots of the chords over your solos.

PDF practice materials to be used with all four parts of this lesson are attached to this video lesson. Materials include:

1. Three voice-leading example sheets
2. The solo I created on the changes of Blue Bossa
3. MP3 play-along tracks (short demo version and long rhythm-section only version)

Includes PDFs for C, Bb, and Eb instruments.


aprox 10 min

Module 20


LESSON 1: There is No Greater Love - Part 1 of 2 Mind Transcription
This is part one of a two-part video lesson which I call my “Mind Transcription” series. In this series, I share my ideas and strategies for soloing over the chords of popular standards and jazz tunes.
For this lesson, I’ve chosen the changes for There is No Greater Love. In part one of the lesson, I comp the chords at the piano, discuss the importance of hearing the chords at the piano, explore and explain voice-leading strategies and start the analysis of my original solo over the changes.
PDF practice materials to be used with parts 1 and 2 of this lesson are attached to this video lesson. Materials include 1. Voice leading example sheet. 2. The solo I created on the changes of There is No Greater Love 3. MP3 play-along tracks (short demo version and long rhythm-section only version) – Includes PDFs for C, Bb, and Eb instruments.

LESSON 2: There is No Greater Love - Part 2 of 2 - Mind Transcription
This is the second part of the lesson. Includes discussion of note groupings and use of sequence.

LESSON 3: The Cycle
In this video lesson, Greg shares his unique system for teaching the Cycle (also known as “the Circle of 4ths” or “the Circle of 5ths”). Understanding the Cycle is essential for the development of all aspiring musicians. Includes Hip Lick #1 played in the Cycle in 12 keys, plus detailed PDF lesson notes for C, Bb, and Eb instruments. INTERMEDIATE / ADVANCED LEVEL.


LESSON 4: Hip Lick #10 Video Lesson
In this video lesson, I’ll show you how to work with Hip Lick #10 from my book, Hip Licks for Saxophone, Volume 1. This is a ii mi7 – V7 lick often used by Charlie Parker.
The lick starts on the 9th of the mi7 chord and it’s very easy to play. Includes tips on hearing the roots of the chords while playing the lick, working the lick in 12 keys, and a demonstration of placing the lick in the beginning, middle, or end of a longer phrase. PDF includes the lick written out in all 12 keys. INTERMEDIATE LEVEL.

LESSON 5: Minor 3rds Video Lesson - Intervals in Action
This video lesson explores minor 3rd intervals in many different harmonic contexts with a particular focus given to the way that the interval is used by Jobim in his classic Bossa Nova, “The Girl From Ipanema.” Includes a PDF of page 65 from the book “Intervals in Action,” featuring 31 different harmonic applications of the minor 3rd.
Also includes a PDF of the chord arpeggios and the “Ipanema” application of the interval, as played in the video lesson. INTERMEDIATE LEVEL.

aprox 46 min

Module 20


LESSON 1: There is No Greater Love - Part 1 of 2 Mind Transcription
This is part one of a two-part video lesson which I call my “Mind Transcription” series. In this series, I share my ideas and strategies for soloing over the chords of popular standards and jazz tunes.
For this lesson, I’ve chosen the changes for There is No Greater Love. In part one of the lesson, I comp the chords at the piano, discuss the importance of hearing the chords at the piano, explore and explain voice-leading strategies and start the analysis of my original solo over the changes.
PDF practice materials to be used with parts 1 and 2 of this lesson are attached to this video lesson. Materials include 1. Voice leading example sheet. 2. The solo I created on the changes of There is No Greater Love 3. MP3 play-along tracks (short demo version and long rhythm-section only version) – Includes PDFs for C, Bb, and Eb instruments.

LESSON 2: There is No Greater Love - Part 2 of 2 - Mind Transcription
This is the second part of the lesson. Includes discussion of note groupings and use of sequence.

LESSON 3: The Cycle
In this video lesson, Greg shares his unique system for teaching the Cycle (also known as “the Circle of 4ths” or “the Circle of 5ths”). Understanding the Cycle is essential for the development of all aspiring musicians. Includes Hip Lick #1 played in the Cycle in 12 keys, plus detailed PDF lesson notes for C, Bb, and Eb instruments. INTERMEDIATE / ADVANCED LEVEL.


LESSON 4: Hip Lick #10 Video Lesson
In this video lesson, I’ll show you how to work with Hip Lick #10 from my book, Hip Licks for Saxophone, Volume 1. This is a ii mi7 – V7 lick often used by Charlie Parker.
The lick starts on the 9th of the mi7 chord and it’s very easy to play. Includes tips on hearing the roots of the chords while playing the lick, working the lick in 12 keys, and a demonstration of placing the lick in the beginning, middle, or end of a longer phrase. PDF includes the lick written out in all 12 keys. INTERMEDIATE LEVEL.

LESSON 5: Minor 3rds Video Lesson - Intervals in Action
This video lesson explores minor 3rd intervals in many different harmonic contexts with a particular focus given to the way that the interval is used by Jobim in his classic Bossa Nova, “The Girl From Ipanema.” Includes a PDF of page 65 from the book “Intervals in Action,” featuring 31 different harmonic applications of the minor 3rd.
Also includes a PDF of the chord arpeggios and the “Ipanema” application of the interval, as played in the video lesson. INTERMEDIATE LEVEL.

aprox 46 min

Module 26


LESSON 1 - 4: Four part series, how to Transcribe Solos 
In this four-part lesson, I’ll show you my process for transcribing solos. This lesson is really dense and packed with tips and techniques for transcribing. For the demonstration of how to transcribe, I’ve selected the first chorus of a Sonny Stitt blues called “Down With It.”
You’ll see me listen, figure out the notes and then write them on the staff paper in music notation with the correct pitches, rhythms and chords. Along the way, I’ll share many tips and suggestions about the transcription process. Includes PDF of the solo I transcribe in the video lesson for Bb, Eb and C instruments, as well as a page of blank staff paper.
To make this lesson really interactive, print out the staff paper and transcribe along with me, mirroring what I write on the sheet on screen. This will give you the very satisfying feeling of what it’s like to start with a blank page and end up with a beautiful transcribed solo.
NOTE: THE AUDIO SOFTWARE I USE IN THIS VIDEO IS CALLED “ANY TUNE.” Other similar apps are called: TRANSCRIBE, AMAZING SLOW DOWNER, AND MUSIC SPEED CHANGER. If you do a search for “10 Best Slow Down Music Apps (Android/IPhone) 2020” you’ll get a nice listing of similar apps and a brief review of their features.

In the old days, none of this technology existed, and I would transcribe from a cassette player, and then directly from a CD player (which still actually works pretty well). The main thing to remember is to be very patient while transcribing and to have lots of patience with yourself and with the process.


LESSON 5: The Chromatic Triplet Trick
In this video lesson, I’ll show you a very cool and useful pattern based on a triplet rhythm, using the chromatic scale. This pattern works incredibly well to nail the changes of a minor ii / V / i chord progression.
I’ll show you how to use this pattern from the root, third and fifth of the mi7b5 chord, and also explain how the pattern creates a very pleasing voice-leading move from the ii chord to the V7 chord. Includes detailed PDF practice notes for Bb, Eb and C instruments.

LESSON 6: Listening Recommendation: Kenny Burrell & John Coltrane
In this video, I discuss one of my all-time favorite albums, the Kenny Burrell & John Coltrane album on the Prestige label. The album features lots of catchy bebop-oriented tunes plus one ballad with Coltrane duet with Kenny Burrell on guitar. Great album!

aprox 33 min

Module 26


LESSON 1 - 4: Four part series, how to Transcribe Solos 
In this four-part lesson, I’ll show you my process for transcribing solos. This lesson is really dense and packed with tips and techniques for transcribing. For the demonstration of how to transcribe, I’ve selected the first chorus of a Sonny Stitt blues called “Down With It.”
You’ll see me listen, figure out the notes and then write them on the staff paper in music notation with the correct pitches, rhythms and chords. Along the way, I’ll share many tips and suggestions about the transcription process. Includes PDF of the solo I transcribe in the video lesson for Bb, Eb and C instruments, as well as a page of blank staff paper.
To make this lesson really interactive, print out the staff paper and transcribe along with me, mirroring what I write on the sheet on screen. This will give you the very satisfying feeling of what it’s like to start with a blank page and end up with a beautiful transcribed solo.
NOTE: THE AUDIO SOFTWARE I USE IN THIS VIDEO IS CALLED “ANY TUNE.” Other similar apps are called: TRANSCRIBE, AMAZING SLOW DOWNER, AND MUSIC SPEED CHANGER. If you do a search for “10 Best Slow Down Music Apps (Android/IPhone) 2020” you’ll get a nice listing of similar apps and a brief review of their features.

In the old days, none of this technology existed, and I would transcribe from a cassette player, and then directly from a CD player (which still actually works pretty well). The main thing to remember is to be very patient while transcribing and to have lots of patience with yourself and with the process.


LESSON 5: The Chromatic Triplet Trick
In this video lesson, I’ll show you a very cool and useful pattern based on a triplet rhythm, using the chromatic scale. This pattern works incredibly well to nail the changes of a minor ii / V / i chord progression.
I’ll show you how to use this pattern from the root, third and fifth of the mi7b5 chord, and also explain how the pattern creates a very pleasing voice-leading move from the ii chord to the V7 chord. Includes detailed PDF practice notes for Bb, Eb and C instruments.

LESSON 6: Listening Recommendation: Kenny Burrell & John Coltrane
In this video, I discuss one of my all-time favorite albums, the Kenny Burrell & John Coltrane album on the Prestige label. The album features lots of catchy bebop-oriented tunes plus one ballad with Coltrane duet with Kenny Burrell on guitar. Great album!

aprox 33 min

Module 26


LESSON 1 - 4: Four part series, how to Transcribe Solos 
In this four-part lesson, I’ll show you my process for transcribing solos. This lesson is really dense and packed with tips and techniques for transcribing. For the demonstration of how to transcribe, I’ve selected the first chorus of a Sonny Stitt blues called “Down With It.”
You’ll see me listen, figure out the notes and then write them on the staff paper in music notation with the correct pitches, rhythms and chords. Along the way, I’ll share many tips and suggestions about the transcription process. Includes PDF of the solo I transcribe in the video lesson for Bb, Eb and C instruments, as well as a page of blank staff paper.
To make this lesson really interactive, print out the staff paper and transcribe along with me, mirroring what I write on the sheet on screen. This will give you the very satisfying feeling of what it’s like to start with a blank page and end up with a beautiful transcribed solo.
NOTE: THE AUDIO SOFTWARE I USE IN THIS VIDEO IS CALLED “ANY TUNE.” Other similar apps are called: TRANSCRIBE, AMAZING SLOW DOWNER, AND MUSIC SPEED CHANGER. If you do a search for “10 Best Slow Down Music Apps (Android/IPhone) 2020” you’ll get a nice listing of similar apps and a brief review of their features.

In the old days, none of this technology existed, and I would transcribe from a cassette player, and then directly from a CD player (which still actually works pretty well). The main thing to remember is to be very patient while transcribing and to have lots of patience with yourself and with the process.


LESSON 5: The Chromatic Triplet Trick
In this video lesson, I’ll show you a very cool and useful pattern based on a triplet rhythm, using the chromatic scale. This pattern works incredibly well to nail the changes of a minor ii / V / i chord progression.
I’ll show you how to use this pattern from the root, third and fifth of the mi7b5 chord, and also explain how the pattern creates a very pleasing voice-leading move from the ii chord to the V7 chord. Includes detailed PDF practice notes for Bb, Eb and C instruments.

LESSON 6: Listening Recommendation: Kenny Burrell & John Coltrane
In this video, I discuss one of my all-time favorite albums, the Kenny Burrell & John Coltrane album on the Prestige label. The album features lots of catchy bebop-oriented tunes plus one ballad with Coltrane duet with Kenny Burrell on guitar. Great album!

aprox 33 min

Module 26


LESSON 1 - 4: Four part series, how to Transcribe Solos 
In this four-part lesson, I’ll show you my process for transcribing solos. This lesson is really dense and packed with tips and techniques for transcribing. For the demonstration of how to transcribe, I’ve selected the first chorus of a Sonny Stitt blues called “Down With It.”
You’ll see me listen, figure out the notes and then write them on the staff paper in music notation with the correct pitches, rhythms and chords. Along the way, I’ll share many tips and suggestions about the transcription process. Includes PDF of the solo I transcribe in the video lesson for Bb, Eb and C instruments, as well as a page of blank staff paper.
To make this lesson really interactive, print out the staff paper and transcribe along with me, mirroring what I write on the sheet on screen. This will give you the very satisfying feeling of what it’s like to start with a blank page and end up with a beautiful transcribed solo.
NOTE: THE AUDIO SOFTWARE I USE IN THIS VIDEO IS CALLED “ANY TUNE.” Other similar apps are called: TRANSCRIBE, AMAZING SLOW DOWNER, AND MUSIC SPEED CHANGER. If you do a search for “10 Best Slow Down Music Apps (Android/IPhone) 2020” you’ll get a nice listing of similar apps and a brief review of their features.

In the old days, none of this technology existed, and I would transcribe from a cassette player, and then directly from a CD player (which still actually works pretty well). The main thing to remember is to be very patient while transcribing and to have lots of patience with yourself and with the process.


LESSON 5: The Chromatic Triplet Trick
In this video lesson, I’ll show you a very cool and useful pattern based on a triplet rhythm, using the chromatic scale. This pattern works incredibly well to nail the changes of a minor ii / V / i chord progression.
I’ll show you how to use this pattern from the root, third and fifth of the mi7b5 chord, and also explain how the pattern creates a very pleasing voice-leading move from the ii chord to the V7 chord. Includes detailed PDF practice notes for Bb, Eb and C instruments.

LESSON 6: Listening Recommendation: Kenny Burrell & John Coltrane
In this video, I discuss one of my all-time favorite albums, the Kenny Burrell & John Coltrane album on the Prestige label. The album features lots of catchy bebop-oriented tunes plus one ballad with Coltrane duet with Kenny Burrell on guitar. Great album!

aprox 33 min

Module 19


LESSON: Blue Bossa Solo - Part 1 of 4 - Mind Transcription
This is part one of a four-part video series in which I call my “Mind Transcription” series. In this series, I share my ideas and strategies for soloing over the chords of popular standards and jazz tunes.For this lesson, I’ve chosen the changes for Blue Bossa.

In part one of this four-part lesson, I comp the chords at the piano, discuss the importance of hearing the chords at the piano, explore and explain voice-leading strategies from both the 7th and the 5th, and start the analysis of my original solo over the changes. I also discuss my thoughts about playing the roots of the chords over your solos.

PDF practice materials to be used with all four parts of this lesson are attached to this video lesson. Materials include:

1. Three voice-leading example sheets
2. The solo I created on the changes of Blue Bossa
3. MP3 play-along tracks (short demo version and long rhythm-section only version)

Includes PDFs for C, Bb, and Eb instruments.


aprox 10 min

Module 19


LESSON: Blue Bossa Solo - Part 1 of 4 - Mind Transcription
This is part one of a four-part video series in which I call my “Mind Transcription” series. In this series, I share my ideas and strategies for soloing over the chords of popular standards and jazz tunes.For this lesson, I’ve chosen the changes for Blue Bossa.

In part one of this four-part lesson, I comp the chords at the piano, discuss the importance of hearing the chords at the piano, explore and explain voice-leading strategies from both the 7th and the 5th, and start the analysis of my original solo over the changes. I also discuss my thoughts about playing the roots of the chords over your solos.

PDF practice materials to be used with all four parts of this lesson are attached to this video lesson. Materials include:

1. Three voice-leading example sheets
2. The solo I created on the changes of Blue Bossa
3. MP3 play-along tracks (short demo version and long rhythm-section only version)

Includes PDFs for C, Bb, and Eb instruments.


aprox 10 min

Module 19


LESSON: Blue Bossa Solo - Part 1 of 4 - Mind Transcription
This is part one of a four-part video series in which I call my “Mind Transcription” series. In this series, I share my ideas and strategies for soloing over the chords of popular standards and jazz tunes.For this lesson, I’ve chosen the changes for Blue Bossa.

In part one of this four-part lesson, I comp the chords at the piano, discuss the importance of hearing the chords at the piano, explore and explain voice-leading strategies from both the 7th and the 5th, and start the analysis of my original solo over the changes. I also discuss my thoughts about playing the roots of the chords over your solos.

PDF practice materials to be used with all four parts of this lesson are attached to this video lesson. Materials include:

1. Three voice-leading example sheets
2. The solo I created on the changes of Blue Bossa
3. MP3 play-along tracks (short demo version and long rhythm-section only version)

Includes PDFs for C, Bb, and Eb instruments.


aprox 10 min

Module 19


LESSON: Blue Bossa Solo - Part 1 of 4 - Mind Transcription
This is part one of a four-part video series in which I call my “Mind Transcription” series. In this series, I share my ideas and strategies for soloing over the chords of popular standards and jazz tunes.For this lesson, I’ve chosen the changes for Blue Bossa.

In part one of this four-part lesson, I comp the chords at the piano, discuss the importance of hearing the chords at the piano, explore and explain voice-leading strategies from both the 7th and the 5th, and start the analysis of my original solo over the changes. I also discuss my thoughts about playing the roots of the chords over your solos.

PDF practice materials to be used with all four parts of this lesson are attached to this video lesson. Materials include:

1. Three voice-leading example sheets
2. The solo I created on the changes of Blue Bossa
3. MP3 play-along tracks (short demo version and long rhythm-section only version)

Includes PDFs for C, Bb, and Eb instruments.


aprox 10 min

Module 20


LESSON 1: There is No Greater Love - Part 1 of 2 Mind Transcription
This is part one of a two-part video lesson which I call my “Mind Transcription” series. In this series, I share my ideas and strategies for soloing over the chords of popular standards and jazz tunes.
For this lesson, I’ve chosen the changes for There is No Greater Love. In part one of the lesson, I comp the chords at the piano, discuss the importance of hearing the chords at the piano, explore and explain voice-leading strategies and start the analysis of my original solo over the changes.
PDF practice materials to be used with parts 1 and 2 of this lesson are attached to this video lesson. Materials include 1. Voice leading example sheet. 2. The solo I created on the changes of There is No Greater Love 3. MP3 play-along tracks (short demo version and long rhythm-section only version) – Includes PDFs for C, Bb, and Eb instruments.

LESSON 2: There is No Greater Love - Part 2 of 2 - Mind Transcription
This is the second part of the lesson. Includes discussion of note groupings and use of sequence.

LESSON 3: The Cycle
In this video lesson, Greg shares his unique system for teaching the Cycle (also known as “the Circle of 4ths” or “the Circle of 5ths”). Understanding the Cycle is essential for the development of all aspiring musicians. Includes Hip Lick #1 played in the Cycle in 12 keys, plus detailed PDF lesson notes for C, Bb, and Eb instruments. INTERMEDIATE / ADVANCED LEVEL.


LESSON 4: Hip Lick #10 Video Lesson
In this video lesson, I’ll show you how to work with Hip Lick #10 from my book, Hip Licks for Saxophone, Volume 1. This is a ii mi7 – V7 lick often used by Charlie Parker.
The lick starts on the 9th of the mi7 chord and it’s very easy to play. Includes tips on hearing the roots of the chords while playing the lick, working the lick in 12 keys, and a demonstration of placing the lick in the beginning, middle, or end of a longer phrase. PDF includes the lick written out in all 12 keys. INTERMEDIATE LEVEL.

LESSON 5: Minor 3rds Video Lesson - Intervals in Action
This video lesson explores minor 3rd intervals in many different harmonic contexts with a particular focus given to the way that the interval is used by Jobim in his classic Bossa Nova, “The Girl From Ipanema.” Includes a PDF of page 65 from the book “Intervals in Action,” featuring 31 different harmonic applications of the minor 3rd.
Also includes a PDF of the chord arpeggios and the “Ipanema” application of the interval, as played in the video lesson. INTERMEDIATE LEVEL.

aprox 46 min

Module 20


LESSON 1: There is No Greater Love - Part 1 of 2 Mind Transcription
This is part one of a two-part video lesson which I call my “Mind Transcription” series. In this series, I share my ideas and strategies for soloing over the chords of popular standards and jazz tunes.
For this lesson, I’ve chosen the changes for There is No Greater Love. In part one of the lesson, I comp the chords at the piano, discuss the importance of hearing the chords at the piano, explore and explain voice-leading strategies and start the analysis of my original solo over the changes.
PDF practice materials to be used with parts 1 and 2 of this lesson are attached to this video lesson. Materials include 1. Voice leading example sheet. 2. The solo I created on the changes of There is No Greater Love 3. MP3 play-along tracks (short demo version and long rhythm-section only version) – Includes PDFs for C, Bb, and Eb instruments.

LESSON 2: There is No Greater Love - Part 2 of 2 - Mind Transcription
This is the second part of the lesson. Includes discussion of note groupings and use of sequence.

LESSON 3: The Cycle
In this video lesson, Greg shares his unique system for teaching the Cycle (also known as “the Circle of 4ths” or “the Circle of 5ths”). Understanding the Cycle is essential for the development of all aspiring musicians. Includes Hip Lick #1 played in the Cycle in 12 keys, plus detailed PDF lesson notes for C, Bb, and Eb instruments. INTERMEDIATE / ADVANCED LEVEL.


LESSON 4: Hip Lick #10 Video Lesson
In this video lesson, I’ll show you how to work with Hip Lick #10 from my book, Hip Licks for Saxophone, Volume 1. This is a ii mi7 – V7 lick often used by Charlie Parker.
The lick starts on the 9th of the mi7 chord and it’s very easy to play. Includes tips on hearing the roots of the chords while playing the lick, working the lick in 12 keys, and a demonstration of placing the lick in the beginning, middle, or end of a longer phrase. PDF includes the lick written out in all 12 keys. INTERMEDIATE LEVEL.

LESSON 5: Minor 3rds Video Lesson - Intervals in Action
This video lesson explores minor 3rd intervals in many different harmonic contexts with a particular focus given to the way that the interval is used by Jobim in his classic Bossa Nova, “The Girl From Ipanema.” Includes a PDF of page 65 from the book “Intervals in Action,” featuring 31 different harmonic applications of the minor 3rd.
Also includes a PDF of the chord arpeggios and the “Ipanema” application of the interval, as played in the video lesson. INTERMEDIATE LEVEL.

aprox 46 min

Module 26


LESSON 1 - 4: Four part series, how to Transcribe Solos 
In this four-part lesson, I’ll show you my process for transcribing solos. This lesson is really dense and packed with tips and techniques for transcribing. For the demonstration of how to transcribe, I’ve selected the first chorus of a Sonny Stitt blues called “Down With It.”
You’ll see me listen, figure out the notes and then write them on the staff paper in music notation with the correct pitches, rhythms and chords. Along the way, I’ll share many tips and suggestions about the transcription process. Includes PDF of the solo I transcribe in the video lesson for Bb, Eb and C instruments, as well as a page of blank staff paper.
To make this lesson really interactive, print out the staff paper and transcribe along with me, mirroring what I write on the sheet on screen. This will give you the very satisfying feeling of what it’s like to start with a blank page and end up with a beautiful transcribed solo.
NOTE: THE AUDIO SOFTWARE I USE IN THIS VIDEO IS CALLED “ANY TUNE.” Other similar apps are called: TRANSCRIBE, AMAZING SLOW DOWNER, AND MUSIC SPEED CHANGER. If you do a search for “10 Best Slow Down Music Apps (Android/IPhone) 2020” you’ll get a nice listing of similar apps and a brief review of their features.

In the old days, none of this technology existed, and I would transcribe from a cassette player, and then directly from a CD player (which still actually works pretty well). The main thing to remember is to be very patient while transcribing and to have lots of patience with yourself and with the process.


LESSON 5: The Chromatic Triplet Trick
In this video lesson, I’ll show you a very cool and useful pattern based on a triplet rhythm, using the chromatic scale. This pattern works incredibly well to nail the changes of a minor ii / V / i chord progression.
I’ll show you how to use this pattern from the root, third and fifth of the mi7b5 chord, and also explain how the pattern creates a very pleasing voice-leading move from the ii chord to the V7 chord. Includes detailed PDF practice notes for Bb, Eb and C instruments.

LESSON 6: Listening Recommendation: Kenny Burrell & John Coltrane
In this video, I discuss one of my all-time favorite albums, the Kenny Burrell & John Coltrane album on the Prestige label. The album features lots of catchy bebop-oriented tunes plus one ballad with Coltrane duet with Kenny Burrell on guitar. Great album!

aprox 33 min

Module 26


LESSON 1 - 4: Four part series, how to Transcribe Solos 
In this four-part lesson, I’ll show you my process for transcribing solos. This lesson is really dense and packed with tips and techniques for transcribing. For the demonstration of how to transcribe, I’ve selected the first chorus of a Sonny Stitt blues called “Down With It.”
You’ll see me listen, figure out the notes and then write them on the staff paper in music notation with the correct pitches, rhythms and chords. Along the way, I’ll share many tips and suggestions about the transcription process. Includes PDF of the solo I transcribe in the video lesson for Bb, Eb and C instruments, as well as a page of blank staff paper.
To make this lesson really interactive, print out the staff paper and transcribe along with me, mirroring what I write on the sheet on screen. This will give you the very satisfying feeling of what it’s like to start with a blank page and end up with a beautiful transcribed solo.
NOTE: THE AUDIO SOFTWARE I USE IN THIS VIDEO IS CALLED “ANY TUNE.” Other similar apps are called: TRANSCRIBE, AMAZING SLOW DOWNER, AND MUSIC SPEED CHANGER. If you do a search for “10 Best Slow Down Music Apps (Android/IPhone) 2020” you’ll get a nice listing of similar apps and a brief review of their features.

In the old days, none of this technology existed, and I would transcribe from a cassette player, and then directly from a CD player (which still actually works pretty well). The main thing to remember is to be very patient while transcribing and to have lots of patience with yourself and with the process.


LESSON 5: The Chromatic Triplet Trick
In this video lesson, I’ll show you a very cool and useful pattern based on a triplet rhythm, using the chromatic scale. This pattern works incredibly well to nail the changes of a minor ii / V / i chord progression.
I’ll show you how to use this pattern from the root, third and fifth of the mi7b5 chord, and also explain how the pattern creates a very pleasing voice-leading move from the ii chord to the V7 chord. Includes detailed PDF practice notes for Bb, Eb and C instruments.

LESSON 6: Listening Recommendation: Kenny Burrell & John Coltrane
In this video, I discuss one of my all-time favorite albums, the Kenny Burrell & John Coltrane album on the Prestige label. The album features lots of catchy bebop-oriented tunes plus one ballad with Coltrane duet with Kenny Burrell on guitar. Great album!

aprox 33 min

Module 26


LESSON 1 - 4: Four part series, how to Transcribe Solos 
In this four-part lesson, I’ll show you my process for transcribing solos. This lesson is really dense and packed with tips and techniques for transcribing. For the demonstration of how to transcribe, I’ve selected the first chorus of a Sonny Stitt blues called “Down With It.”
You’ll see me listen, figure out the notes and then write them on the staff paper in music notation with the correct pitches, rhythms and chords. Along the way, I’ll share many tips and suggestions about the transcription process. Includes PDF of the solo I transcribe in the video lesson for Bb, Eb and C instruments, as well as a page of blank staff paper.
To make this lesson really interactive, print out the staff paper and transcribe along with me, mirroring what I write on the sheet on screen. This will give you the very satisfying feeling of what it’s like to start with a blank page and end up with a beautiful transcribed solo.
NOTE: THE AUDIO SOFTWARE I USE IN THIS VIDEO IS CALLED “ANY TUNE.” Other similar apps are called: TRANSCRIBE, AMAZING SLOW DOWNER, AND MUSIC SPEED CHANGER. If you do a search for “10 Best Slow Down Music Apps (Android/IPhone) 2020” you’ll get a nice listing of similar apps and a brief review of their features.

In the old days, none of this technology existed, and I would transcribe from a cassette player, and then directly from a CD player (which still actually works pretty well). The main thing to remember is to be very patient while transcribing and to have lots of patience with yourself and with the process.


LESSON 5: The Chromatic Triplet Trick
In this video lesson, I’ll show you a very cool and useful pattern based on a triplet rhythm, using the chromatic scale. This pattern works incredibly well to nail the changes of a minor ii / V / i chord progression.
I’ll show you how to use this pattern from the root, third and fifth of the mi7b5 chord, and also explain how the pattern creates a very pleasing voice-leading move from the ii chord to the V7 chord. Includes detailed PDF practice notes for Bb, Eb and C instruments.

LESSON 6: Listening Recommendation: Kenny Burrell & John Coltrane
In this video, I discuss one of my all-time favorite albums, the Kenny Burrell & John Coltrane album on the Prestige label. The album features lots of catchy bebop-oriented tunes plus one ballad with Coltrane duet with Kenny Burrell on guitar. Great album!

aprox 33 min

Module 26


LESSON 1 - 4: Four part series, how to Transcribe Solos 
In this four-part lesson, I’ll show you my process for transcribing solos. This lesson is really dense and packed with tips and techniques for transcribing. For the demonstration of how to transcribe, I’ve selected the first chorus of a Sonny Stitt blues called “Down With It.”
You’ll see me listen, figure out the notes and then write them on the staff paper in music notation with the correct pitches, rhythms and chords. Along the way, I’ll share many tips and suggestions about the transcription process. Includes PDF of the solo I transcribe in the video lesson for Bb, Eb and C instruments, as well as a page of blank staff paper.
To make this lesson really interactive, print out the staff paper and transcribe along with me, mirroring what I write on the sheet on screen. This will give you the very satisfying feeling of what it’s like to start with a blank page and end up with a beautiful transcribed solo.
NOTE: THE AUDIO SOFTWARE I USE IN THIS VIDEO IS CALLED “ANY TUNE.” Other similar apps are called: TRANSCRIBE, AMAZING SLOW DOWNER, AND MUSIC SPEED CHANGER. If you do a search for “10 Best Slow Down Music Apps (Android/IPhone) 2020” you’ll get a nice listing of similar apps and a brief review of their features.

In the old days, none of this technology existed, and I would transcribe from a cassette player, and then directly from a CD player (which still actually works pretty well). The main thing to remember is to be very patient while transcribing and to have lots of patience with yourself and with the process.


LESSON 5: The Chromatic Triplet Trick
In this video lesson, I’ll show you a very cool and useful pattern based on a triplet rhythm, using the chromatic scale. This pattern works incredibly well to nail the changes of a minor ii / V / i chord progression.
I’ll show you how to use this pattern from the root, third and fifth of the mi7b5 chord, and also explain how the pattern creates a very pleasing voice-leading move from the ii chord to the V7 chord. Includes detailed PDF practice notes for Bb, Eb and C instruments.

LESSON 6: Listening Recommendation: Kenny Burrell & John Coltrane
In this video, I discuss one of my all-time favorite albums, the Kenny Burrell & John Coltrane album on the Prestige label. The album features lots of catchy bebop-oriented tunes plus one ballad with Coltrane duet with Kenny Burrell on guitar. Great album!

aprox 33 min