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Module 44

LESSON 1: Six Essential Items for Daily Practice 

In this video lesson, I discuss the importance of practicing each item on my practice planner. I developed this approach in my 20’s when I was practicing many hours each day. I experimented with many different approaches to practicing and found that these six items yielded the best results.

Many people get stuck practicing only scales or chords and never seem to get to other items like vocabulary, transcriptions, etudes, and tunes.

Includes PDF practice planner.

LESSON 2: Secret Applications for the Bebop Scale

In this video lesson, I share what I call the “secret” applications for the bebop scale. These are not the types of applications that you learn in school. In both my undergrad and graduate studies, there was no mention of these applications of the scale.

And yet, when I transcribed the masters, I found that they routinely applied the scale in this way when they wanted to get more harmonic flavor from the scale.

If you’ve ever been at a loss for how to use the bebop scale over a minor ii / V situation, this video will show you how to apply the scale like a seasoned professional.

Includes detailed PDF practice notes for Bb, Eb and C instruments.

LESSON 3: Creative Scale Practice

In this video lesson, I share a story about one of my Skype students who was very bored with his scale practice. He was in a rut, always playing his scales like a technical exercise, rather than finding the music hidden within the scales.

I showed him these creative practice strategies that I use in my own practice and he was instantly playing with more energy and creativity while also improving his musical memory and his instrumental technique.

Includes detailed PDF practice notes for Bb, Eb and C instruments.

LESSON 4: C.E.S.H. – What it is and How to Use it.

In this video lesson, I explore and explain C.E.S.H. The term was coined by one of my former teachers, the great Jerry Coker. It stands for “Contrapuntal Elaboration of Static Harmony.” Basically, it means that you apply voice leading to a chord within itself by moving the sevenths (and sometimes the fifths).

This is a common harmonic device used by all pro players. You’ll recognize it as soon as you hear it. I explain the device and break it down in a way that makes it easy for all levels of players to immediately use this in their solos. Includes detailed PDF practice notes for Bb, Eb and C instruments.

LESSON 4: Thumb Position for the Octave Key

In this video lesson, I discuss and demonstrate the importance of good thumb position on the saxophone. This topic is often overlooked. Over the years, I’ve taught many students who needed to correct bad habits with their thumb position. In some cases, students were experiencing pain from using the wrong position or from using too much pressure.

The left hand cannot operate with efficiency without an excellent thumb position, combined with a light touch. If you’ve ever had issues with left-hand technique problems or pain in your left hand or arm due to the octave key, this video will address all of those issues and provide a clear strategy to fix the problem.

approx 33 min

Module 34

LESSON 1: Four Directions – Thinking Locally and Globally

I often mention practicing in four directions for gaining mastery over your scales, chords and intervals. In this video lesson, I explore and explain the four directions. I describe the difference between thinking “locally” and “globally” when playing a sequential pattern.

This is a major concept that will help you improve your ear and your ability to memorize songs and musical vocabulary. INTERMEDIATE & ADVANCED LEVEL. Includes PDF practice notes for Bb, Eb and C instruments.

LESSON 2: Finding the hidden Diminished and Augmented Chords in the Chromatic Scale

In this video lesson, I show you how to use the chromatic scale to diminished chords and augmented chords. Although I demonstrate these same chords in different video lessons (playing all of them on piano), this is an alternative approach, designed to help players that find it a real challenge learning the traditional way.

INTERMEDIATE LEVEL. Includes PDF practice notes.

LESSON 3: Exploring Hip Lick #37

In this video lesson, I work with lick #37 from the book “Hip Licks for Saxophone Volume 1.” This is a two-measure C7 lick that uses part of the bebop scale, contrary motion, sequence and a diatonic enclosure.

The lesson explores the lick from many different angles, taking the first half of the lick as a stand-alone lick. I also demonstrate how to create lots of rhythmic variations on the lick, as well as how to transpose the lick not only to twelve keys but how to make the first half of the lick in one key, while transposing only the second part of the lick. Whether you’re just starting out, and intermediate player, or a seasoned pro, there’s something in this lesson for all levels.
INTERMEDIATE/ADVANCED LEVEL. Includes detailed PDF practice notes for Bb, Eb and C instruments.

LESSON 4: The “Dooden” Tongue

In this video lesson, I share my technique for this popular special effect tonguing used by Getz, Bird, Pres and many of the top players from the Swing/Bop era. This one is intentionally an “all-ear” lesson, so there are no practice notes on this one.

Be sure and play along with me where indicated in the portion of the lesson where we’ll trade back and forth with the rhythm on the concert G while using the dooden tonguing effect. INTERMEDIATE & ADVANCED LEVEL.

LESSON 5: Listening Recommendation: Clifford Brown • Max Roach

This amazing 1958 album has so many classics…Daahoud, Joy Spring, Jordu, Parisian Thoroughfare…all on the same album. The beauty and symmetry of Clifford’s playing throughout this album is breathtaking.

Also, check out the interaction between Max Roach and Clifford. Harold Land also is in great form on this album. One of my favorites.

aprox 39 min

Module 13

LESSON 1: Dorian Mode – New System Focuses Ear on Chord Extensions
In this video lesson, I take you though my system for practicing the Dorian scale. You may already know the scale, having learned it the traditional way, as the second mode of a major scale, going from the second note of the major scale to the ninth note. While that method does give you the right notes for Dorian, it doesn’t really train the ear to hear the upper extensions of the minor chord contained within the scale. With my system, your ear will be trained to hear the difference between the sound of the 9th, 11th and 13th. This is a really fun system, and in addition to great ear training, it’s also good workout for your technique. If you already know the Dorian scale, you should watch this video to experience the sound of the scale in a new way. If you’ve never learned the Dorain scale, this is the best way to get started! INTERMEDIATE LEVEL.

LESSON 2: The Pencil Trick
In my 20’s, I was transcribing many hours each day. I got tired of putting down the pencil and picking it up again to write a just few more notes. For the sake of efficiency, I just started to hold on to the pencil, even when I was playing the horn. To my surprise, it really helped my technique. Holding the pencil dramatically improved my hand position on the horn. In this lesson, I’ll take you through the process of practicing the “pencil trick,” and also share a few other crazy strategies that I’ve used to getting my fingers in a better position on the horn. INTERMEDIATE LEVEL.

LESSON 3: Tritone Substitution Tutorial
In this music theory video, I’ll take you through from the very basic application to of the tritone sub, all the way through the relationship between altered notes on the native V7 chord and extensions of the tritone substitute. PDF extras include scans of the actual sheets I created during the filming of the video lesson. INTERMEDIATE & ADVANCED LEVEL

LESSSON 4: Tasting Harmony – Practice Strategies
Many group members have asked me to create a video in which I demonstrate some of my practice techniques for working with the book, Tasting Harmony. In this video, I explain the concept of the book and demonstrate many different ways of working with the play-along tracks. The extras with this video include several pages from the book, some of the exercises from the video, plus the mp3 tracks. ALL LEVELS.

LESSON 5: Road Tips – The E = ?
Greg shows how to keep your mind focused and sharp even when you’re away from the horn. This music theory game involves thinking of the note “E” as different degrees of major scales.

aprox 42 min

Module 23

LESSON 1: Hip Lick #2 – Video Lesson

This video lesson starts with a demonstration of the lick played in several keys, followed by a step-by-step approach showing you how to create the lick.

This lesson also includes strategies for using the lick for ear training, high-speed technical practice, as well as lots of cool variations on the lick. Includes detailed PDF lesson practice notes in C, Bb and Eb. Intermediate Level.

LESSON 2: 7 Modes of Major – The Mode Sandwich
In this video lesson, I explore the traditional way the modes are taught and then demonstrate my system of playing all of the modes “sandwiched” between a low and high C.
The low and high C’s act as the top and bottom pieces of bread, with the seven different flavors of modes between the two C’s. Also includes a fun device to memorize the order of the mode names. A fun video of essentials for all players. Beginning & Intermediate level, with PDF practice notes.

LESSON 3: Interactive Metronome Practice
In this video lesson, I share an approach to working with the metronome in which the metronome is an active, rhythmic part of the solo. I have the metronome clicking on 2 & 4, and I make up a solo based on the chords of “Take the A Train.”
The solo is full of playful rhythmic twists and turns which interact with the clicks of the metronome. Includes a PDF transcription of the solo for Bb, Eb and C instruments. Intermediate & Advanced Level.

LESSON 4: Hearing the Metronome on 2 & 4
In this video lesson, I show you my technique for hearing the metronome on beats two and four.
This is an essential skill for all jazz musicians. When I hear the metronome on 2 & 4, I imagine the metronome acting as a hi-hat, since that’s where the hi-hat clicks for most swing/bop tunes in 4/4 time.
If you’ve ever had difficulty in perceiving the metronome as clicking on “2 & 4,” this video is for you.

LESSON 5: Listening Recommendation: Dexter Gordon – Go
In this video lesson, I discuss one of my favorite Dexter Gordon albums.

aprox 29 min

Module 25

LESSON 1: Hip Lick #8 – Video Lesson
In this video lesson, I’ll show you how to work with Hip Lick #8 from my book, Hip Licks for Saxophone, Volume 1.
This is a popular ii mi7 – V7 lick that starts on the 7th of the mi7 chord. Also includes a brief theory discussion about ii / V chords. PDF includes detailed practice notes as well as the lick written out in all 12 keys plus. INTERMEDIATE & ADVANCED LEVEL.

LESSON 2: Embracing the 4th of the chord
In this video lesson, I demonstrate how I like to use the 4th of the scale or chord to create tension and then resolve the note to the 3rd or 5th. Many aspiring players have been told that the 4th is an “avoid note.” This is very bad advice because all players need to know how to deal with this note when it comes up. You can’t just ignore it or avoid it.
I recall that I was given this advice in school, only to put on a Sonny Stitt record and hear him using the 4th extensively, especially over dominant chords. Includes detailed PDF lesson notes for C, Bb and Eb instruments. INTERMEDIATE LEVEL.

LESSON 3: How to get a full tone on the Palm Keys
Many group members have written to me, asking for a video lesson teaching them how to get a big, powerful sound on their palm keys. In this video, I share my unique approach to getting a full, big tone on the palm keys.
The video features a demonstration of the “pro” approach and the “amateur” approach to the palm keys. In this lesson, I explain and explore the reasons for the thin, pinched sound of the aspiring player, and I show you how to fix these problems by shifting your tongue and throat position and changing your air support.

If you’ve ever had trouble getting a nice sound on your palm keys, this video will be transformative. Includes PDF lesson notes. INTERMEDIATE LEVEL

LESSSON 4: The Coltrane Triplets
In this video lesson, I share what I call the “Coltrane Triplets.” This is a way of practicing your chord arpeggios with triplets.
It’s great for your technique, and it also provides a nice rhythmic feel to your chord practice. Includes detailed PDF practice notes for Bb, Eb and C instruments.
CLICK HERE to download PDF lesson materials

LESSON 5: Listening Recommendation: Dave Brubeck – Time Out
In this video, I discuss one of my all-time favorite albums, Dave Brubeck’s monumental 1959 recording, “Time Out,” featuring the great Paul Desmond on alto.

aprox 33 min

Module 28

LESSON 1: How to Play What You Hear in Your Head
In this video lesson, I share some of my techniques for getting the sounds in your head to come out on your horn.
This is an all “by ear” lesson. Includes a detailed description of the process involved in practicing to develop this unique skill. This lesson is a must for all playing levels, from beginner to advanced level

LESSON 2: Stan Getz Minor 2nd Interval placement – as the 3rd and 9th over a mi7 chord
In this video lesson, we’ll explore one of my favorite harmonic settings a minor second interval, acting as the 3rd / 9th / 3rd of a minor seventh chord. This has a very Getzian kind of sound…smooth and melodic. Includes page 22 from “Intervals in Action,” plus detailed PDF practice guide for C, Bb and Eb instruments. INTERMEDIATE LEVEL

LESSON 3: Phil Woods Turnaround Lick
In this video lesson, I explore what I call the “Phil Woods” turnaround lick. It uses two voice-leading notes to create a beautifully balanced, melodic line of eighth-notes.
We’ll work with a progression of: Emi7 A7b9 / Dmi7 G7b9 / Cmaj7 in the video, but the included PDFs have transposed parts for Eb, Bb and C instruments. Intermediate Level with some additional tips at the end of the video lesson for advanced players.

LESSSON 4: Bebop Tradition: How to Mix a Minor Triad with a Diminished 7th Chord
Part of the bebop tradition involves the usage of both upper extensions and implied harmony. The mixing of the minor triad with a diminished seventh chord adds a strong harmonic boost to any minor passage.
When you mix the diminished seventh chord in with the minor triad, the implied harmony is a temporary V7b9 chord that switches back to the i minor chord.
If this description sounds really complicated, let me just say that it’s a really cool sound, and it’s really easy to add this to your playing. You’ll definitely recognize it when you hear it. INTERMEDIATE and ADVANCED level. Includes detailed PDF practice notes for Bb, Eb, and C instruments.

LESSON 5: Listening Recommendation: Charlie Parker with Strings
In this video, I discuss one of my all-time favorite albums, Charlie Parker’s masterpiece album, “Charlie Parker with Strings.” The album features popular standards from the Great American Songbook, arranged for the strings-plus-rhythm section. Parker at his most eloquent. One of my all-time favorites.

aprox 26 min

Module 27

LESSON 1: Double-time Passage from Ravenswood Avenue
In this video lesson, you’ll observe me working with my Skype student Ritchie Graham (in Scotland). Over the years, many students have struggled with this double-time passage that I composed for my etude “Ravenswood Avenue.”
I share some unique practice techniques for gaining control over this tricky passage. Rather than just playing the phrase myself, I felt that it would be very instructive for our group members to observe how quickly Ritchie improves his command of the phrase by simply following my unique practice approach. Includes PDF of the phrase in Bb, Eb and C.

LESSON 2: Confirmation Changes / Hyde Park Blvd w/Aebersold
In this video lesson, I’ll show you how to nail the changes on Confirmation through good voice-leading, demonstrated in my contrafact for Confirmation, titled “Hyde Park Boulevard.”

This video includes me playing along with the fantastic Jamey Aebersold Volume 6 “All Bird” featuring Kenny Barron, Ron Carter and Ben Riley. I also play an improvised solo, demonstrating what I call “first gear,” which is a very melodic way of navigating the changes.
The lesson includes a full PDF transcription of my improvised solo, as well as written out voice-leading lines over the chords for the A section of Confirmation. PDFs are for C, Bb, and Eb instruments. Intermediate and Advanced level.

LESSON 3: Lifting Weights – The Importance of Daily Practice
In this video, I read the first chapter of my book, “The Lobster Theory.” This chapter is called “Lifting Weights,” and it’s about the importance of practicing each day.

LESSON 4: Sonny Stitt Triplets
In this video lesson, I’ll show you a very cool Sonny Stitt triplet pattern that works great over a ii mi7 / V7 progression.
Features analysis of chord tones used in the lick, as well as ear training advice on hearing the lick over the chords. Includes detailed PDF practice notes plus the lick written out in 12 keys for Bb, Eb and C instruments. Intermediate Level.

LESSON 5: Listening Recommendation: Wes Montgomery – Tequila
In this video, I discuss one of my all-time favorite albums, guitarist Wes Montgomery’s 1966 Verve album, “Tequila.”
The album features Wes on guitar plus Ron Carter on bass and Grady Tate on drums. The album features spectacular playing by the group, plus beautiful string writing by Claus Ogerman. One of my all-time favorites.

aprox 27 min