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LESSON MODULES

Module 27


LESSON 1: Double-time Passage from Ravenswood Avenue
In this video lesson, you’ll observe me working with my Skype student Ritchie Graham (in Scotland). Over the years, many students have struggled with this double-time passage that I composed for my etude “Ravenswood Avenue.”
I share some unique practice techniques for gaining control over this tricky passage. Rather than just playing the phrase myself, I felt that it would be very instructive for our group members to observe how quickly Ritchie improves his command of the phrase by simply following my unique practice approach. Includes PDF of the phrase in Bb, Eb and C.
INTERMEDIATE & ADVANCED LEVEL.

LESSON 2: Confirmation Changes / Hyde Park Blvd w/Aebersold
In this video lesson, I’ll show you how to nail the changes on Confirmation through good voice-leading, demonstrated in my contrafact for Confirmation, titled “Hyde Park Boulevard.”

This video includes me playing along with the fantastic Jamey Aebersold Volume 6 “All Bird” featuring Kenny Barron, Ron Carter and Ben Riley. I also play an improvised solo, demonstrating what I call “first gear,” which is a very melodic way of navigating the changes.
The lesson includes a full PDF transcription of my improvised solo, as well as written out voice-leading lines over the chords for the A section of Confirmation. PDFs are for C, Bb, and Eb instruments. Intermediate and Advanced level.

LESSON 3: Lifting Weights – The Importance of Daily Practice
In this video, I read the first chapter of my book, “The Lobster Theory.” This chapter is called “Lifting Weights,” and it’s about the importance of practicing each day.

LESSON 4: Sonny Stitt Triplets
In this video lesson, I’ll show you a very cool Sonny Stitt triplet pattern that works great over a ii mi7 / V7 progression.
Features analysis of chord tones used in the lick, as well as ear training advice on hearing the lick over the chords. Includes detailed PDF practice notes plus the lick written out in 12 keys for Bb, Eb and C instruments. Intermediate Level.

LESSON 5: Listening Recommendation: Wes Montgomery – Tequila
In this video, I discuss one of my all-time favorite albums, guitarist Wes Montgomery’s 1966 Verve album, “Tequila.”
The album features Wes on guitar plus Ron Carter on bass and Grady Tate on drums. The album features spectacular playing by the group, plus beautiful string writing by Claus Ogerman. One of my all-time favorites.

aprox 27 min

Module 26


LESSON 1 – 4: Four part series, how to Transcribe Solos 
In this four-part lesson, I’ll show you my process for transcribing solos. This lesson is really dense and packed with tips and techniques for transcribing. For the demonstration of how to transcribe, I’ve selected the first chorus of a Sonny Stitt blues called “Down With It.”
You’ll see me listen, figure out the notes and then write them on the staff paper in music notation with the correct pitches, rhythms and chords. Along the way, I’ll share many tips and suggestions about the transcription process. Includes PDF of the solo I transcribe in the video lesson for Bb, Eb and C instruments, as well as a page of blank staff paper.
To make this lesson really interactive, print out the staff paper and transcribe along with me, mirroring what I write on the sheet on screen. This will give you the very satisfying feeling of what it’s like to start with a blank page and end up with a beautiful transcribed solo.
NOTE: THE AUDIO SOFTWARE I USE IN THIS VIDEO IS CALLED “ANY TUNE.” Other similar apps are called: TRANSCRIBE, AMAZING SLOW DOWNER, AND MUSIC SPEED CHANGER. If you do a search for “10 Best Slow Down Music Apps (Android/IPhone) 2020” you’ll get a nice listing of similar apps and a brief review of their features.

In the old days, none of this technology existed, and I would transcribe from a cassette player, and then directly from a CD player (which still actually works pretty well). The main thing to remember is to be very patient while transcribing and to have lots of patience with yourself and with the process.


LESSON 5: The Chromatic Triplet Trick
In this video lesson, I’ll show you a very cool and useful pattern based on a triplet rhythm, using the chromatic scale. This pattern works incredibly well to nail the changes of a minor ii / V / i chord progression.
I’ll show you how to use this pattern from the root, third and fifth of the mi7b5 chord, and also explain how the pattern creates a very pleasing voice-leading move from the ii chord to the V7 chord. Includes detailed PDF practice notes for Bb, Eb and C instruments.

LESSON 6: Listening Recommendation: Kenny Burrell & John Coltrane
In this video, I discuss one of my all-time favorite albums, the Kenny Burrell & John Coltrane album on the Prestige label. The album features lots of catchy bebop-oriented tunes plus one ballad with Coltrane duet with Kenny Burrell on guitar. Great album!

aprox 33 min

Module 25


LESSON 1: Hip Lick #8 – Video Lesson
In this video lesson, I’ll show you how to work with Hip Lick #8 from my book, Hip Licks for Saxophone, Volume 1.
This is a popular ii mi7 – V7 lick that starts on the 7th of the mi7 chord. Also includes a brief theory discussion about ii / V chords. PDF includes detailed practice notes as well as the lick written out in all 12 keys plus. INTERMEDIATE & ADVANCED LEVEL.

LESSON 2: Embracing the 4th of the chord
In this video lesson, I demonstrate how I like to use the 4th of the scale or chord to create tension and then resolve the note to the 3rd or 5th. Many aspiring players have been told that the 4th is an “avoid note.” This is very bad advice because all players need to know how to deal with this note when it comes up. You can’t just ignore it or avoid it.
I recall that I was given this advice in school, only to put on a Sonny Stitt record and hear him using the 4th extensively, especially over dominant chords. Includes detailed PDF lesson notes for C, Bb and Eb instruments. INTERMEDIATE LEVEL.

LESSON 3: How to get a full tone on the Palm Keys
Many group members have written to me, asking for a video lesson teaching them how to get a big, powerful sound on their palm keys. In this video, I share my unique approach to getting a full, big tone on the palm keys.
The video features a demonstration of the “pro” approach and the “amateur” approach to the palm keys. In this lesson, I explain and explore the reasons for the thin, pinched sound of the aspiring player, and I show you how to fix these problems by shifting your tongue and throat position and changing your air support.

If you’ve ever had trouble getting a nice sound on your palm keys, this video will be transformative. Includes PDF lesson notes. INTERMEDIATE LEVEL


LESSSON 4: The Coltrane Triplets
In this video lesson, I share what I call the “Coltrane Triplets.” This is a way of practicing your chord arpeggios with triplets.
It’s great for your technique, and it also provides a nice rhythmic feel to your chord practice. Includes detailed PDF practice notes for Bb, Eb and C instruments.
CLICK HERE to download PDF lesson materials

LESSON 5: Listening Recommendation: Dave Brubeck – Time Out
In this video, I discuss one of my all-time favorite albums, Dave Brubeck’s monumental 1959 recording, “Time Out,” featuring the great Paul Desmond on alto.

aprox 33 min

Module 24


LESSON 1: Hip Lick #11 – Video lesson
In this video lesson, we work with Hip Lick #11. This is an extremely useful lick. It’s just six notes, and it fits a Dmi7 chord, a G7 chord, or both chords, with the first four notes of the lick over the Dmi7 and the final two notes over the G7 chord.
This lesson is packed with lots of useful suggestions for creating variations on the lick. It also includes a practice strategy using my “speed bag” technique. Includes detailed PDF lesson notes for C, Bb and Eb instruments. Intermediate level.

LESSON 2: 7 Note Tape Measure® Scales
In this video lesson, I take you through the seven note tape measure® scales in all four directions, played in the cycle. There are some very interesting note groupings on this one, with some shifting accents as you change keys.
Includes PDF lesson notes. Intermediate and Advanced Level.

LESSON 3: Intervals in Action – Perfect 5ths Introduction Video
In this video lesson, we’ll explore 34 different harmonizations of a perfect 5th interval.

I have played all of the chords on the piano, placing the interval in the upper voice of the right hand. Focus on the way that the sound of the interval changes with each new chord. Important: In order to use the PDF play-along and read it without having to transpose, be sure to select and play the video that corresponds to the key of your instrument (C, Bb or Eb). Intermediate & Advanced level. Includes PDF of Intervals in Action page 69, which corresponds to the video.


LESSON 4: Perfect 5ths – Greg Fishman Tenor Sax Demo
In this video, I play the chord arpeggios, followed by the perfect fifth interval of C to G on the tenor. A transcription of this performance is included as a PDF with this lesson.
It is interesting to note that when I recorded this video, I was listening to the sound of the piano and then figuring out the chords in real-time as they were played. For me, this is great ear-training! In post video production, I have placed a graphic with the chord symbols on the screen, so that you can watch me play the notes and also seeing the chord symbols

LESSON 5: Bb Edition – Perfect 5ths Piano Accompaniment
This is the piano accompaniment video for all Bb Instruments. The piano will play all of the chords from page 69 of “Intervals in Action.” Play the notes C to G and notice the unique sound of the interval over each of the thirty-four chords.
If you need to read the chord arpeggios, please print out the included PDF with this lesson. If you do not need to read the arpeggios, you can simply play along while watching the video, arpeggiating the chord listed on the screen, followed by a C up to G on your instrument. BEGINNING PLAYERS: Don’t worry about the chord arpeggios….just play the C and G and notice the unique colors with the changing chords.
INTERMEDIATE PLAYERS: Arpeggiate each chord, followed by the C up to the G. ADVANCED PLAYERS: Improvise on each chord while incorporating either the C, the G, or both notes into your improvisation. Includes PDF with written-out chord arpeggios plus the interval, plus page 69 from “Intervals in Action.”

LESSON 6: Eb Edition – Perfect 5ths Piano Accompaniment
This is the piano accompaniment video for all Eb Instruments. The piano will play all of the chords from page 69 of “Intervals in Action.” Play the notes C to G and notice the unique sound of the interval over each of the thirty-four chords.
If you need to read the chord arpeggios, please print out the included PDF with this lesson. If you do not need to read the arpeggios, you can simply play along while watching the video, arpeggiating the chord listed on the screen, followed by a C up to G on your instrument.
BEGINNING PLAYERS: Don’t worry about the chord arpeggios….just play the C and G and notice the unique colors with the changing chords.
INTERMEDIATE PLAYERS: Arpeggiate each chord, followed by the C up to the G. ADVANCED PLAYERS: Improvise on each chord while incorporating either the C, the G, or both notes into your improvisation. Includes PDF with written-out chord arpeggios plus the interval, plus page 69 from “Intervals in Action.

LESSON 7: C Edition – Perfect 5ths – Piano Accompaniment
This is the piano accompaniment video for all Concert C Instruments. The piano will play all of the chords from page 69 of “Intervals in Action.” Play the notes C to G and notice the unique sound of the interval over each of the thirty-four chords.
If you need to read the chord arpeggios, please print out the included PDF with this lesson. If you do not need to read the arpeggios, you can simply play along while watching the video, arpeggiating the chord listed on the screen, followed by a C up to G on your instrument.
BEGINNING PLAYERS: Don’t worry about the chord arpeggios….just play the C and G and notice the unique colors with the changing chords.
INTERMEDIATE PLAYERS: Arpeggiate each chord, followed by the C up to the G. ADVANCED PLAYERS: Improvise on each chord while incorporating either the C, the G, or both notes into your improvisation. Includes PDF with written-out chord arpeggios plus the interval, plus page 69 from “Intervals in Action.”

LESSON 3: Listening Recommendation: Sonny Stitt – Personal Appearance
In this video, I discuss one of my all-time favorite Sonny Stitt albums, Personal Appearance, recorded in 1957.

aprox 22 min

Module 23


LESSON 1: Hip Lick #2 – Video Lesson

This video lesson starts with a demonstration of the lick played in several keys, followed by a step-by-step approach showing you how to create the lick.

This lesson also includes strategies for using the lick for ear training, high-speed technical practice, as well as lots of cool variations on the lick. Includes detailed PDF lesson practice notes in C, Bb and Eb. Intermediate Level.

LESSON 2: 7 Modes of Major – The Mode Sandwich
In this video lesson, I explore the traditional way the modes are taught and then demonstrate my system of playing all of the modes “sandwiched” between a low and high C.
The low and high C’s act as the top and bottom pieces of bread, with the seven different flavors of modes between the two C’s. Also includes a fun device to memorize the order of the mode names. A fun video of essentials for all players. Beginning & Intermediate level, with PDF practice notes.

LESSON 3: Interactive Metronome Practice
In this video lesson, I share an approach to working with the metronome in which the metronome is an active, rhythmic part of the solo. I have the metronome clicking on 2 & 4, and I make up a solo based on the chords of “Take the A Train.”
The solo is full of playful rhythmic twists and turns which interact with the clicks of the metronome. Includes a PDF transcription of the solo for Bb, Eb and C instruments. Intermediate & Advanced Level.

LESSON 4: Hearing the Metronome on 2 & 4
In this video lesson, I show you my technique for hearing the metronome on beats two and four.
This is an essential skill for all jazz musicians. When I hear the metronome on 2 & 4, I imagine the metronome acting as a hi-hat, since that’s where the hi-hat clicks for most swing/bop tunes in 4/4 time.
If you’ve ever had difficulty in perceiving the metronome as clicking on “2 & 4,” this video is for you.


LESSON 5: Listening Recommendation: Dexter Gordon – Go
In this video lesson, I discuss one of my favorite Dexter Gordon albums.

aprox 29 min

Module 22


LESSON 1: 6 Essential Elements – The Six of Diamonds
In this video, I share what I consider to be the six essential elements needed to sound like a professional player. I demonstrate the elements through an original blues tune, titled “The Six of Diamonds.”
The six essential elements are: 1) Notes 2) Rhythm 3) Articulation 4) Dynamics 5) Terminal Vibrato 6) Timbral Shadings. The importance of each element is explained in the video lesson. Includes detailed PDF lesson notes in C, Bb and Eb. ALL LEVELS

LESSON 2: Breathing – Video Lesson
In this video lesson, I share my approach to breathing. If you’ve ever felt short of breath while playing or felt that your tone was a bit thin, this lesson is a must. In addition to the technique of breathing, I also discuss jaw position on the mouthpiece while breathing, as well as my thoughts on long tones. ALL LEVELS. Includes PDF text notes with bullet-point lesson summary.

LESSON 3: Getting more impact from your short notes
In this video, I share my approach for getting more impact from short notes. There is a big distinction in the way that a pro player approaches short notes in the middle of a phrase.

The issue is whether the short note is slurred into or tongued as it is played. I demonstrate the two approaches and provide examples to help train your ear to clearly hear the difference between a “low impact” and “high impact” short note. If you want pro-like short notes in your lines, this lesson is essential, and a total game-changer. ALL LEVELS. Includes PDF lesson notes.


LESSON 4: Diatonic Triads
In this video, I share my system for learning and practicing diatonic triads. These triadic chord structures often get overlooked, but they’re essential for all players.
They have a different feel than the larger seventh chords, and they’re very versatile. ALL LEVELS. Includes detailed PDF practice notes in C, Bb and Eb.

LESSON 5: Listening Recommendation: Stan Getz – Jazz Samba
In this video lesson, I share some of my thoughts about the innovative way in which Stan Getz introduced the new Bossa Nova style to the world. Also includes a short demo of Getz playing diatonic triads.

aprox 40 min

Module 21


LESSON 1: The Cycle – Red & Blue Card System by Greg Fishman
In this video lesson, I share my unique system for learning the cycle by combining two whole-tone scales. While I’ve shared this concept of using these scales in a previous video, I’ve had many requests to demonstrate my “shuffled cards” analogy on camera.
This lesson takes the cycle and puts it on a visual plane, making it very easy to remember. If you’ve ever had any difficulty with memorizing the cycle, this video will immediately clear things up! Be sure to have your instrument out so that you can play along as I hold up the cards and explain how the two decks will combine to form the cycle. INTERMEDIATE LEVEL.

LESSON 2: Speedbag with Major 2nds
Speedbag with Major 2nds
In this video lesson, I work with page 23 from my book, “Intervals in Action,” to show you how I use the “speedbag” technique with Major 2nd intervals to increase and improve the speed, accuracy and control of my technique on the saxophone. INTERMEDIATE & ADVANCED LEVEL. Includes a PDF of the page from the book that was used in the video.

LESSON 3: Major 2nd Video Lesson – Intervals in Action
In this video lesson, I demonstrate many different practice strategies for working with Section 1 of the book “Intervals in Action.” Topics covered include: Creating new rhythms, playing the intervals in a 5/4 time, playing in retrograde (backwards), playing in tritone pairs, and more! Includes a PDF of the full page used in the video lesson. INTERMEDIATE & ADVANCED.


LESSON 4: Hip Lick #5 Video Lesson
In this video lesson, I’ll show you how to work with Hip Lick #5 from my book, Hip Licks for Saxophone, Volume 1.
This is a popular ii mi7 – V7 lick that starts on the 9th of the mi7 chord. The lesson takes you through a new way of practicing licks in twelve keys, by adding just one note at a time to the lick. Also includes a brief discussion of the indirect voice-leading from 7 to 3 used in this lick, along with a comparison to the direct 7 to 3 voice-leading used in lick 1.
PDF includes the lick written out in all 12 keys plus the add-a-note versions of the lick. INTERMEDIATE & ADVANCED LEVEL.

LESSON 5: Listening Recommendation: Paul Desmond & Gerry Mulligan – Two of A Mind
In this video lesson, I discuss some of my favorite elements of these two amazing player’s styles.

aprox 30 min

Module 20


LESSON 1: There is No Greater Love – Part 1 of 2 Mind Transcription
This is part one of a two-part video lesson which I call my “Mind Transcription” series. In this series, I share my ideas and strategies for soloing over the chords of popular standards and jazz tunes.
For this lesson, I’ve chosen the changes for There is No Greater Love. In part one of the lesson, I comp the chords at the piano, discuss the importance of hearing the chords at the piano, explore and explain voice-leading strategies and start the analysis of my original solo over the changes.
PDF practice materials to be used with parts 1 and 2 of this lesson are attached to this video lesson. Materials include 1. Voice leading example sheet. 2. The solo I created on the changes of There is No Greater Love 3. MP3 play-along tracks (short demo version and long rhythm-section only version) – Includes PDFs for C, Bb, and Eb instruments.

LESSON 2: There is No Greater Love – Part 2 of 2 – Mind Transcription
This is the second part of the lesson. Includes discussion of note groupings and use of sequence.

LESSON 3: The Cycle
In this video lesson, Greg shares his unique system for teaching the Cycle (also known as “the Circle of 4ths” or “the Circle of 5ths”). Understanding the Cycle is essential for the development of all aspiring musicians. Includes Hip Lick #1 played in the Cycle in 12 keys, plus detailed PDF lesson notes for C, Bb, and Eb instruments. INTERMEDIATE / ADVANCED LEVEL.


LESSON 4: Hip Lick #10 Video Lesson
In this video lesson, I’ll show you how to work with Hip Lick #10 from my book, Hip Licks for Saxophone, Volume 1. This is a ii mi7 – V7 lick often used by Charlie Parker.
The lick starts on the 9th of the mi7 chord and it’s very easy to play. Includes tips on hearing the roots of the chords while playing the lick, working the lick in 12 keys, and a demonstration of placing the lick in the beginning, middle, or end of a longer phrase. PDF includes the lick written out in all 12 keys. INTERMEDIATE LEVEL.

LESSON 5: Minor 3rds Video Lesson – Intervals in Action
This video lesson explores minor 3rd intervals in many different harmonic contexts with a particular focus given to the way that the interval is used by Jobim in his classic Bossa Nova, “The Girl From Ipanema.” Includes a PDF of page 65 from the book “Intervals in Action,” featuring 31 different harmonic applications of the minor 3rd.
Also includes a PDF of the chord arpeggios and the “Ipanema” application of the interval, as played in the video lesson. INTERMEDIATE LEVEL.

aprox 46 min

Module 19


LESSON: Blue Bossa Solo – Part 1 of 4 – Mind Transcription
This is part one of a four-part video series in which I call my “Mind Transcription” series. In this series, I share my ideas and strategies for soloing over the chords of popular standards and jazz tunes.For this lesson, I’ve chosen the changes for Blue Bossa.In part one of this four-part lesson, I comp the chords at the piano, discuss the importance of hearing the chords at the piano, explore and explain voice-leading strategies from both the 7th and the 5th, and start the analysis of my original solo over the changes. I also discuss my thoughts about playing the roots of the chords over your solos.PDF practice materials to be used with all four parts of this lesson are attached to this video lesson. Materials include:
1. Three voice-leading example sheets
2. The solo I created on the changes of Blue Bossa
3. MP3 play-along tracks (short demo version and long rhythm-section only version)Includes PDFs for C, Bb, and Eb instruments.

LESSON: Blue Bossa Solo – Part 2 of 4 – Mind Transcription
Part 2 of 4 continues with an in-depth analysis of the solo, advanced voice-leading moves. This portion of the lesson ends at the half-way point in the solo (includes letters A through B).
PDF practice materials, including three voice-leading example sheets, the solo, and mp3 play-along tracks, are attached to Part 1 of this lesson. Includes music for C, Bb, and Eb instruments.

LESSON: Blue Bossa Solo – Part 3 of 4 – Mind Transcription
In part three of this lesson, the theoretical analysis continues from letter C of the solo. I discuss “high mileage” from using major second intervals in multiple harmonic settings.This portion of the lesson also includes a brief discussion of the diminished scale and diminished whole-tone scale.

PDF practice materials, including three voice-leading example sheets, the solo, and mp3 play-along tracks, are attached to Part 1 of this lesson. Includes music for C, Bb and Eb instruments.


LESSON: Blue Bossa Solo – Part 4 of 4 – Mind Transcription

In this fourth and final part of this video lesson on the chords of Blue Bossa, I discuss the harmonic minor scale as used in the solo and give some voice-leading practice assignments and suggestions.

PDF practice materials, including three voice-leading example sheets, the solo, and mp3 play-along tracks, are attached to part 1 of this lesson. Includes music for C, Bb, and Eb instruments.


LESSON: The Double Enclosure (Zig-Zag Effect)

In this video lesson, I show you what I call the “double enclosure.” I add lower and upper neighboring tones to add heightened chromaticism to the enclosure. This creates a sort of musical “zig-zag” effect which is really fun for the ear.

Includes PDF lesson notes for C, Bb and Eb instruments. INTERMEDIATE & ADVANCED LEVEL.


LESSON: Transforming Diatonic 7ths into a Swingin’ Phrase

In this video, I’ll show you how to take a common chord exercise of diatonic 7th chords, transforming them into a swingin’ phrase full of rhythmic drive with stylized elements of dynamics, articulation, and vibrato.

This is a fun, simple exercise that can really improve your time feel. Includes detailed PDF lesson notes in C, Bb and Eb. INTERMEDIATE LEVEL.


aprox 55 min

Module 18


LESSON 1: Applying Lower and Upper Neighboring tones to a mi7 Chord
In this video lesson, Greg shares his method for applying lower and upper neighboring tones to a minor seventh chord. This approach provides a simple way to melodically enhance the chord. If you’ve been bored with the same old way of practicing your chord arpeggios, this video lesson will bring new life and energy to your practice sessions. INTERMEDIATE & ADVANCED LEVEL. With detailed PDF lesson notes for C, Bb, and Eb instruments.

LESSON 2: Coltrane Device – Scales in 3rds with Lower Neighboring Tones
In this video, we explore a great Coltrane device for transforming a common scale pattern in thirds to a very hip jazz phrase by adding lower neighboring tones to the lower notes in the groups of thirds. Very easy to play, and a very high cool factor! INTERMEDIATE LEVEL. Includes PDF lesson notes for C, Bb, Eb Instruments.

LESSON 3: The Cycle
In this video lesson, Greg shares his unique system for teaching the Cycle (also known as “the Circle of 4ths” or “the Circle of 5ths”). Understanding the Cycle is essential for the development of all aspiring musicians. Includes Hip Lick #1 played in the Cycle in 12 keys, plus detailed PDF lesson notes for C, Bb, and Eb instruments. INTERMEDIATE / ADVANCED LEVEL.


LESSSON 4: 6 Note Tape Measure® Scales
In this video, Greg plays the six note tape measure® scales in all four directions (up, down, up/down, and down/up). He also discusses and demonstrates some of his own practice strategies, such as playing them high-speed and also playing them very slowly. Includes PDF for C, Bb, and Eb instruments. INTERMEDIATE & ADVANCED LEVEL.

LESSON 5: Road Tips – The G = ?
Greg shows how to keep your mind focused and sharp even when you’re away from the horn. This music theory game involves thinking of the note “G” as different degrees of major scales.

aprox 46 min

Module 17


LESSON 1: Modes of Modes – How to use Locrian over a V7 Chord
In this video lesson, I show you how to use the Locrian mode in a new setting, over a dominant chord (in addition to using it over a mi7b5 chord). I call this approach “Modes of Modes,” because it gives you the flexibility to apply any mode to a different chord by taking the entire scale and placing it on notes other than the root of the chord. If you’ve ever thought to yourself, “Why do I even need the Locrian mode…I can only use it over mi7b5 chords,” this video will immediately show you how you can use this great sounding mode overall dominant chords. It will really open up your hearing. Includes PDF lesson notes. INTERMEDIATE LEVEL.

LESSON 2: Ostinato Bass Figure with Solo Breaks
In this video lesson, I’ll show you how to play an ostinato bass pattern (a short, repeated theme) and take solo breaks. This is a really fun and effective way to improve your sense of time, your groove and your ability to improvise over a two or four measure solo break. This style of playing is also very effective if you ever want to play unaccompanied solo saxophone. It teaches you how to switch between performing the role of the rhythm section and the role of the soloist. Includes detailed PDF lesson notes. INTERMEDIATE / ADVANCED LEVEL.

LESSON 3: Adding a Pedal Note to Scales for “High Melodic Mileage”
In this video lesson, I’ll show how to use a device called a “pedal,” which will instantly transform your scales into very catchy, melodic phrases for use in your improvised solos. I call this approach “high melodic mileage,” because it helps you to find many more melodic uses the scales. The pedal helps to break up the monotony of the scale by highlighting lager intervals. The pedal also lends itself to naturally creating rhythmic interest in your lines. Includes PDF lesson notes. INTERMEDIATE LEVEL.


LESSSON 4: 5 Note Tape Measure® Scales
In this video, I demonstrate the four note tape measure scales. This is the first four notes of each major scale, played in the cycle. I play the four notes in four direcitons: 1. Up 2. Down 3. Up/Down 4. Down/Up. I also discuss and demonstrate some different phrasing techniques for the four note scales, as well as playing each grouping twice for a technical workout. Includes PDF Lesson notes. INTERMEDIATE & ADVANCED LEVEL.

LESSON 5: Road Tips – The D = ?
In this video, I demonstrate the five note tape measure scales. This is the first five notes of each major scale, played in the cycle. I play the five notes in four direcitons: 1. Up 2. Down 3. Up/Down 4. Down/Up. I play all examples in 3/4 and in 5/4. Includes detailed PDF Lesson notes. INTERMEDIATE & ADVANCED LEVEL.

LESSON 6: Using Everyday Sounds to Locate Notes on Your Instrument?
I’m constantly aware of environmental sounds. Whether I’m in my car, listening to the “ding” telling me that the car is starting, a railroad crossing bell, an elevator chime, etc. I connect those sounds with the fingerings required to produce those pitches on my instrument. This can be tricky if you play multiple instruments, so I recommend that you use fingerings for your my primary instrument. This is a fun way to reinforce the location of the sounds you hear in your mind. As you get better at locating these external sounds, you will also improve your ability to locate internal sounds, such as the ones you’re hearing in your mind.

aprox 23 min

Module 16


LESSON 1: Hearing Your Way Down a 7th Chord
This video lesson will help you to improve your ability to play descending chords (7-5-3-1). Many aspiring players have no problem playing ascending chords (1-3-5-7), but playing that same chord backwards (descending) presents a real challenge. In this video, I explain why the descending chords can be more difficult for some players, and I share my unique approach to help you hear your way down the chords. Includes PDF lesson notes. INTERMEDIATE & ADVANCED LEVEL

LESSON 2: 3 Four Contours of 3rds Over a ii / V / I Progression
In this video lesson, I’ll show you how to highlight the third of each chord in a ii / V / I progression to create lines with four different contours. These contours have a powerful effect on the type of melodic line you’ll create. This lesson also shares tips for creating rhythmic and melodic variations in your phrases. If you ever feel like you play good notes in your solos, but your phrases are lacking in clarity of direction, this lesson is exactly what you need to take things to the next level. Includes detailed PDF lesson notes. INTERMEDIATE LEVEL

LESSON 3: Hip Lick #7 Video Lesson
In this video lesson, I’ll show you how to work with Hip Lick #7 from my book, Hip Licks for Saxophone, Volume 1. This is a ii mi7 – V7 lick. It’s a one-measure lick with a nice seven-to-three voiceleading move included. Very easy to play, and it nails the changes. Includes tips on hearing the roots of the chords while playing the lick, working the lick in 12 keys and creating a nice variation on the lick. PDF lesson notes included. INTERMEDIATE LEVEL.

LESSSON 4: 4 Note Tape Measure® Scales
In this video, I demonstrate the four note tape measure scales. This is the first four notes of each major scale, played in the cycle. I play the four notes in four directions: 1. Up 2. Down 3. Up/Down 4. Down/Up. I also discuss and demonstrate some different phrasing techniques for the four note scales, as well as playing each grouping twice for a technical workout. Includes PDF Lesson notes. INTERMEDIATE & ADVANCED LEVEL.


aprox 37 min